What A Wonderful World

The great untold story of postwar jazz. . . . Unique and indispensable. . . . A weathervane that will point the way to all future writings on [Armstrong's] life and work. --Terry Teachout, author of Pops: A Life of Louis Armstrong An important book. . . . This book sets the standard in assessing and analyzing Armstrong's performances in the second half of his career. -San Francisco Chronicle Mr. Riccardi--writing with the fervor of an advocate, the skill of a critic and the knowingness of a musician--gives us something vivid on every page of What a Wonderful World. --The Wall Street Journal An intimate portrait of a singular talent who left us a rich legacy of glorious music and lit up audiences the world over for nearly half a century -The Christian Science Monitor Riccardi writes about Armstrong with self-evident and infectious love. . . . Written in a generous spirit. . . . Enhances our understanding of just how good Armstrong really was in the postwar years. --The Washington Post [An] in-depth study. . . . Riccardi has done his homework. . . . He has immersed himself in Armstrong's papers, his correspondence, his tape-recorded conversations, and has somehow secured countless bootleg recordings of concerts and broadcasts made over a period of decades. From these and other sources, he has drawn a wealth of new information that will change our perspectives on Armstrong's life and legacy. --San Francisco Chronicle Many of Armstrong's critics charged that his artistic stature diminished after 1931, 1940, 1952...(pick a year). Riccardi's meticulous research and engaging narrative put that notion to rest. Armstrong's professionalism, toughness, humor and, most of all, the spirit of his music, emanate from the book's pages. This is an invaluable addition to the Armstrong bibliography--and a great read. --Doug Ramsey, Arts Journal Riccardi...reveals new dimensions in a portrait of a highly familiar pop-culture icon. --Milwaukee Journal-Sentinel Riccardi provides a wealth of detail about the music that brought Armstrong his greatest notoriety, from his collaborations with Ella Fitzgerald and Dave Brubeck to his 'Satchmozation' of pop gems like 'Mack the Knife' and 'Hello, Dolly'. . . . [Riccardi's] love for the music is vivid on every page, and he proves adept at expressing the worth of Armstrong's late-career music. . . . The book's richest value is in its extensive utilization of quotes from Pops himself. The man who emerges is warm, funny and generous, but also unafraid to speak from the heart. . . . Shines a clear light on a much-neglected period of a great musician's life. --JazzTimes A valuable account. --Newark Star-Ledger This is not only a tale of interest to jazz fans or academics but the climactic portion of the inspiring life story of a man who, against all odds, rose from extreme poverty and discrimination to become, indisputably, one of the stellar figures of the twentieth century . . . We need this book. --Dan Morgenstern, director of the Institute of Jazz Studies, Rutgers University [Riccardi] makes a strong case. . . . Recount[s] in extensive detail the trials and vicissitudes--and the triumphs--of the musicians' later career, beginning with the arrival of bebop in the late 1940s until his death in 1971. . . . You'll find much to like in What a Wonderful World about the later years of a genuine jazz icon. --Washington Independent Review of Books Riccardi brings a unique bag of qualifications to the task, including unprecedented access to private Armstrong archives and thousands of hours of tape recordings of the man himself. . . . The rich details of the musicmaking, colorful personalities, and Armstrong's life on the road with his beloved All Stars band is priceless. --Christian Science Monitor A major work of research and interpretation which for the first time has provided details of the last half of the most colorful and glorious career in the history of jazz. --George Avakian, Producer, Louis Armstrong Plays W. C. Handy Magical. . . . Deeply and effectively faces the complex question of what it is to be a working artist in the modern world. . . . [Riccardi is] a fine writer. . . . A pleasure to read. . . . Even if you are someone who appreciates Louis Armstrong only casually, you will find in this book a deep, rewarding, honest portrait of a man, an artist, his century. --JazzLives A well-wrought biography and flowing read. . . . Riccardi defends [Armstrong] with admirable dispassion. --New Orleans Magazine The great untold story of postwar jazz. . . . Unique and indispensable. . . . A weathervane that will point the way to all future writings on [Armstrong s] life and work. Terry Teachout, author of Pops: A Life of Louis Armstrong An important book. . . . This book sets the standard in assessing and analyzing Armstrong's performances in the second half of his career. San Francisco Chronicle Mr. Riccardi writing with the fervor of an advocate, the skill of a critic and the knowingness of a musician gives us something vivid on every page of What a Wonderful World. The Wall Street Journal An intimate portrait of a singular talent who left us a rich legacy of glorious music and lit up audiences the world over for nearly half a century The Christian Science Monitor Riccardi writes about Armstrong with self-evident and infectious love. . . . Written in a generous spirit. . . . Enhances our understanding of just how good Armstrong really was in the postwar years. The Washington Post [An] in-depth study. . . . Riccardi has done his homework. . . . He has immersed himself in Armstrong s papers, his correspondence, his tape-recorded conversations, and has somehow secured countless bootleg recordings of concerts and broadcasts made over a period of decades. From these and other sources, he has drawn a wealth of new information that will change our perspectives on Armstrong s life and legacy. San Francisco Chronicle Many of Armstrong s critics charged that his artistic stature diminished after 1931, 1940, 1952 (pick a year). Riccardi s meticulous research and engaging narrative put that notion to rest. Armstrong s professionalism, toughness, humor and, most of all, the spirit of his music, emanate from the book s pages. This is an invaluable addition to the Armstrong bibliography and a great read. Doug Ramsey, Arts Journal Riccardi reveals new dimensions in a portrait of a highly familiar pop-culture icon. Milwaukee Journal-Sentinel Riccardi provides a wealth of detail about the music that brought Armstrong his greatest notoriety, from his collaborations with Ella Fitzgerald and Dave Brubeck to his Satchmozation of pop gems like Mack the Knife and Hello, Dolly . . . . [Riccardi s] love for the music is vivid on every page, and he proves adept at expressing the worth of Armstrong s late-career music. . . . The book s richest value is in its extensive utilization of quotes from Pops himself. The man who emerges is warm, funny and generous, but also unafraid to speak from the heart. . . . Shines a clear light on a much-neglected period of a great musician s life. JazzTimes A valuable account. Newark Star-Ledger This is not only a tale of interest to jazz fans or academics but the climactic portion of the inspiring life story of a man who, against all odds, rose from extreme poverty and discrimination to become, indisputably, one of the stellar figures of the twentieth century . . . We need this book. Dan Morgenstern, director of the Institute of Jazz Studies, Rutgers University [Riccardi] makes a strong case. . . . Recount[s] in extensive detail the trials and vicissitudes and the triumphs of the musicians later career, beginning with the arrival of bebop in the late 1940s until his death in 1971. . . . You ll find much to like in What a Wonderful World about the later years of a genuine jazz icon. Washington Independent Review of Books Riccardi brings a unique bag of qualifications to the task, including unprecedented access to private Armstrong archives and thousands of hours of tape recordings of the man himself. . . . The rich details of the musicmaking, colorful personalities, and Armstrong s life on the road with his beloved All Stars band is priceless. Christian Science Monitor Amajor work of research and interpretationwhich for the first time has provided details of the last half of the most colorful and glorious career in the history of jazz. George Avakian, Producer, Louis Armstrong Plays W. C. Handy Magical. . . . Deeply and effectively faces the complex question of what it is to be a working artist in the modern world. . . . [Riccardi is] a fine writer. . . . A pleasure to read. . . . Even if you are someone who appreciates Louis Armstrong only casually, you will find in this book a deep, rewarding, honest portrait of a man, an artist, his century. JazzLives A well-wrought biography and flowing read. . . . Riccardi defends [Armstrong] with admirable dispassion. New Orleans Magazine The great untold story of postwar jazz. . . . Unique and indispensable. . . . A weathervane that will point the way to all future writings on [Armstrong's] life and work. --Terry Teachout, author of Pops: A Life of Louis Armstrong An important book. . . . This book sets the standard in assessing and analyzing Armstrong's performances in the second half of his career. - San Francisco Chronicle Mr. Riccardi--writing with the fervor of an advocate, the skill of a critic and the knowingness of a musician--gives us something vivid on every page of What a Wonderful World. -- The Wall Street Journal An intimate portrait of a singular talent who left us a rich legacy of glorious music and lit up audiences the world over for nearly half a century - The Christian Science Monitor Riccardi writes about Armstrong with self-evident and infectious love. . . . Written in a generous spirit. . . . Enhances our understanding of just how good Armstrong really was in the postwar years. -- The Washington Post [An] in-depth study. . . . Riccardi has done his homework. . . . He has immersed himself in Armstrong's papers, his correspondence, his tape-recorded conversations, and has somehow secured countless bootleg recordings of concerts and broadcasts made over a period of decades. From these and other sources, he has drawn a wealth of new information that will change our perspectives on Armstrong's life and legacy. -- San Francisco Chronicle Many of Armstrong's critics charged that his artistic stature diminished after 1931, 1940, 1952...(pick a year). Riccardi's meticulous research and engaging narrative put that notion to rest. Armstrong's professionalism, toughness, humor and, most of all, the spirit of his music, emanate from the book's pages. This is an invaluable addition to the Armstrong bibliography--and a great read. --Doug Ramsey, Arts Journal Riccardi...reveals new dimensions in a portrait of a highly familiar pop-culture icon. -- Milwaukee Journal-Sentinel Riccardi provides a wealth of detail about the music that brought Armstrong his greatest notoriety, from his collaborations with Ella Fitzgerald and Dave Brubeck to his 'Satchmozation' of pop gems like 'Mack the Knife' and 'Hello, Dolly'. . . . [Riccardi's] love for the music is vivid on every page, and he proves adept at expressing the worth of Armstrong's late-career music. . . . The book's richest value is in its extensive utilization of quotes from Pops himself. The man who emerges is warm, funny and generous, but also unafraid to speak from the heart. . . . Shines a clear light on a much-neglected period of a great musician's life. --JazzTimes A valuable account. -- Newark Star-Ledger This is not only a tale of interest to jazz fans or academics but the climactic portion of the inspiring life story of a man who, against all odds, rose from extreme poverty and discrimination to become, indisputably, one of the stellar figures of the twentieth century . . . We need this book. --Dan Morgenstern, director of the Institute of Jazz Studies, Rutgers University [Riccardi] makes a strong case. . . . Recount[s] in extensive detail the trials and vicissitudes--and the triumphs--of the musicians' later career, beginning with the arrival of bebop in the late 1940s until his death in 1971. . . . You'll find much to like in What a Wonderful World about the later years of a genuine jazz icon. -- Washington Independent Review of Books Riccardi brings a unique bag of qualifications to the task, including unprecedented access to private Armstrong archives and thousands of hours of tape recordings of the man himself. . . . The rich details of the musicmaking, colorful personalities, and Armstrong's life on the road with his beloved All Stars band is priceless. -- Christian Science Monitor A major work of research and interpretation which for the first time has provided details of the last half of the most colorful and glorious career in the history of jazz. --George Avakian, Producer, Louis Armstrong Plays W. C. Handy Magical. . . . Deeply and effectively faces the complex question of what it is to be a working artist in the modern world. . . . [Riccardi is] a fine writer. . . . A pleasure to read. . . . Even if you are someone who appreciates Louis Armstrong only casually, you will find in this book a deep, rewarding, honest portrait of a man, an artist, his century. --JazzLives A well-wrought biography and flowing read. . . . Riccardi defends [Armstrong] with admirable dispassion. -- New Orleans Magazine The story of Louis Armstrong's later years is the great untold tale of postwar jazz. Now Ricky Riccardi has told it to perfection. What a Wonderful World is a unique and indispensable landmark in Armstrong scholarship, a weathervane that will point the way to all future writings on his life and work. --Terry Teachout, author of Pops: A Life of Louis Armstrong This is not only a tale of interest to jazz fans or academics but the climactic portion of the inspiring life story of a man who, against all odds, rose from extreme poverty and discrimination to become, indisputably, one of the stellar figures of the twentieth century . . . We need this book. --Dan Morgenstern, director of the Institute of Jazz Studies, Rutgers University From the Hardcover edition.