Imagine No Possessions

The Socialist Objects of Russian Constructivism

Christina Kiaer (Associate Professor, Northwestern University)

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English

MIT Press
15 February 2008

History of art & design styles: from c 1900 -; Art & design styles: c 1900 to c 1960

Series: The MIT Press

How Constructivist artists in Russia between 1923 and 1925 developed a counterproposal to capitalism's commodity fetish by producing objects meant to be ""comrades"" in the creation of an egalitarian socialist culture.

In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. ""Our things in our hands must be equals, comrades,"" wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between 1923 and 1925- Vladimir Tatlin's prototype designs for pots and pans and other everyday objects, Liubov' Popova's and Varvara Stepanova's fashion designs and textiles, Rodchenko's packaging and advertisements for state-owned businesses (made in collaboration with revolutionary poet Vladimir Mayakovsky), and Rodchenko's famous design for the interior of a workers' club. These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as ""artist-engineers"" to produce useful objects for everyday life in the new socialist collective.

Kiaer shows how these artists elaborated on the theory of the socialist object-as-comrade in the practice of their art. They broke with the traditional model of the autonomous avant-garde, Kiaer argues, in order to participate more fully in the political project of the Soviet state. She analyzes Constructivism's attempt to develop modernist forms to forge a new comradely relationship between human subjects and the mass-produced objects of modernity; Constructivists could ""imagine no possessions"" (as John Lennon's song puts it) not by eliminating material objects but by eliminating the possessive relation to them. Considering such Constructivist objects as flapper dresses and cookie advertisements, Kiaer creates a dialogue between the more famous avant-garde works of these artists and their quirkier, less appreciated utilitarian objects. Working in the still semicapitalist Russia of the New Economic Policy, these artists were imagining, by creating their comradely objects, a socialist culture that had not yet arrived.

By: Christina Kiaer (Associate Professor Northwestern University)
Imprint: MIT Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 203mm, Spine: 17mm
Weight: 930g
ISBN: 9780262612210
ISBN 10: 0262612216
Series: The MIT Press
Pages: 344
Publication Date: 15 February 2008
Recommended Age: From 18 years
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Christina Kiaer is Associate Professor and Director of Undergraduate Studies in the Department of Art History and Archaeology at Columbia University.

Reviews for Imagine No Possessions: The Socialist Objects of Russian Constructivism

A valuable consideration of a period that, some seventy years after its end, continues to generate fertile discussion. - Nicole Ruddick, TLS This is one of the most stimulating and original books that I have read about the objects and designs produced by the Russian Constructivists. - Christina Lodder, University of St. Andrews, author of Russian Constructivism

Winner of 2006 Wayne S. Vucinich Book Prize, honorable mention 2006
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