Architecture as Metaphor

Language, Number, Money

Kojin Karatani, Sabu Kohso, Michael Speaks

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Japanese

MIT Press
05 October 1995

Theory of architecture; Cultural studies

Series: Writing Architecture

In Architecture as Metaphor, Kojin Karatani detects a recurrent ""will to architecture"" that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics.

Kojin Karatani, Japan's leading literary critic, is perhaps best known for his imaginative readings of Shakespeare, Soseki, Marx, Wittgenstein, and most recently Kant. His works, of which Origins of Modern Japanese Literature is the only one previously translated into English, are the generic equivalent to what in America is called ""theory."" Karatani's writings are important not only for the insights they offer on the various topics under discussion, but also as an example of a distinctly non-Western critical intervention. In Architecture as Metaphor, Karatani detects a recurrent ""will to architecture"" that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics. In the three parts of the book, he analyzes the complex bonds between construction and deconstruction, thereby pointing to an alternative model of ""secular criticism,"" but in the domain of philosophy rather than literary or cultural criticism. As Karatani claims in his introduction, because the will to architecture is practically nonoexistent in Japan, he must first assume a dual role- one that affirms the architectonic (by scrutinizing the suppressed function of form) and one that pushes formalism to its collapse (by invoking Kurt Godel's incompleteness theorem). His subsequent discussions trace a path through the work of Christopher Alexander, Jane Jacobs, Gilles Deleuze, and others. Finally, amidst the drive that motivates all formalization, he confronts an unbridgeable gap, an uncontrollable event encountered in the exchange with the other; thus his speculation turns toward global capital movement. While in the present volume he mainly analyzes familiar Western texts, it is precisely for this reason that his voice discloses a distance that will add a new dimension to our English-language discourse.

By: Kojin Karatani
Edited by: Michael Speaks
Translated by: Sabu Kohso
Imprint: MIT Press
Country of Publication: United States
Dimensions: Height: 203mm, Width: 137mm, Spine: 11mm
Weight: 340g
ISBN: 9780262611138
ISBN 10: 0262611139
Series: Writing Architecture
Pages: 246
Publication Date: 05 October 1995
Recommended Age: From 18 years
Audience: College/higher education , Professional and scholarly , Professional & Vocational , A / AS level , Further / Higher Education
Format: Paperback
Publisher's Status: Active

"Part 1 Making: the will to architecture; the status of form; architecture and poetry; the natural city; structure and zero; natural numbers. Part 2 Becoming: natural language; money; natural intelligence; schismogenesis; being; the formalization of philosophy. Part 3 Teaching and selling: sollpsism; the standpoint of teaching; architecture as metaphor; on rules; society and community; the linguistic turn and ""cogito""; selling; merchant capital; credit."

Kojin Karatani is a Japanese philosopher who teaches at Kinki University, Osaka, and Columbia University. He is the author of Architecture as Metaphor (MIT Press, 1995) and Origins of Modern Japanese Literature. He founded the New Associationist Movement (NAM) in Japan in 2000.