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The Architecture of Error: Matter, Measure, and the Misadventures of Precision by Francesca Hughes at Abbey's Bookshop,
The Architecture of Error: Matter, Measure, and the Misadventures of Precision
— —
Francesca Hughes

The Architecture of Error

Matter, Measure, and the Misadventures of Precision

Francesca Hughes

$89.99

Paperback

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English
MIT Press
07 November 2014
Theory of architecture
Series: The Architecture of Error
Why the rise of redundant precision in architecture and the accompanying fear of error are key to understanding the discipline's needs, anxieties and desires.

When architects draw even brick walls to six decimal places with software designed to cut lenses, it is clear that the logic that once organized relations between precision and material error in construction has unraveled. Precision, already a promiscuous term, seems now to have been uncoupled from its contract with truthfulness. Meanwhile error, and the always-political space of its dissent, has reconfigured itself.

In The Architecture of Error Francesca Hughes argues that behind the architect's acute fetishization of redundant precision lies a special fear of physical error. What if we were to consider the pivotal cultural and technological transformations of modernism to have been driven not so much by the causes its narratives declare, she asks, as by an unspoken horror of loss of control over error, material life, and everything that matter stands for? Hughes traces the rising intolerance of material vagaries-from the removal of ornament to digitalized fabrication-that produced the blind rejection of organic materials, the proliferation of material testing, and the rhetorical obstacles that blighted cybernetics. Why is it, she asks, that the more we cornered physical error, the more we feared it?

Hughes's analysis of redundant precision exposes an architecture of fear whose politics must be called into question. Proposing error as a new category for architectural thought, Hughes draws on other disciplines and practices that have interrogated precision and failure, citing the work of scientists Nancy Cartwright and Evelyn Fox Keller and visual artists Gordon Matta-Clark, Barbara Hepworth, Rachel Whiteread, and others. These non-architect practitioners, she argues, show that error need not be excluded and precision can be made accountable.
By:  
Imprint:   MIT Press
Country of Publication:   United States
Dimensions:   Height: 254mm,  Width: 178mm,  Spine: 27mm
Weight:   907g
ISBN:   9780262526364
ISBN 10:   0262526360
Series:   The Architecture of Error
Pages:   328
Publication Date:  
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Francesca Hughes lives and works in London, where she taught at the Bartlett School of Architecture and the Architectural Association for many years. She is the editor of The Architect- Reconstructing Her Practice (MIT Press) and Drawings That Count.

Reviews for The Architecture of Error: Matter, Measure, and the Misadventures of Precision

Hughes's target - one that she skewers with unerring accuracy - is the disciplinary obsession with precision at a material level. (...) She talks not of catastrophe, collapse and epic malfunction, but the pursuit of accuracy to the point of redundancy, and the debilitating effects this quest generates. The Architecture of Error, while it deals in specificities, necessarily provides a rich generalist history of the pitfalls of the sort of means-end rationality that became doctrinaire across almost all professions in the post-enlightenment age. * Icon * [a] hugely enjoyable and rather brilliant book ... -- Richard Marshall * 3:AM *


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