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English
MIT Press
04 May 1993
Series: October Books
Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.
By:  
Imprint:   MIT Press
Country of Publication:   United States
Edition:   New edition
Dimensions:   Height: 229mm,  Width: 175mm,  Spine: 16mm
Weight:   567g
ISBN:   9780262521802
ISBN 10:   0262521806
Series:   October Books
Pages:   358
Publication Date:  
Recommended Age:   From 18
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  ELT Advanced ,  A / AS level
Format:   Paperback
Publisher's Status:   Active

Yve-Alain Bois studied at the Ecole des Hautes Etudes under the guidance of Roland Barthes and Hubert Damisch. A founder of the French journal Macula, Bois is currently a professor in the School of Historical Studies at the Institute for Advanced Study, Princeton, NJ.

Reviews for Painting as Model

"""A remarkable book, an excellent and innovative example of bow the major experiences of modern painting, from Matisse and Picasso to Mondrian, Newman, or Ryman require a specific use of theory to be correctly interpreted. A genuinely original contribution, in both style and approach, to a 'new history' of art which reconciles critical theory to historical research."" Louis Marin, Ecole des Hautes Etudes en Sciences Sociales, Paris"


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