Lab Coats in Hollywood: Science, Scientists, and Cinema

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David A. Kirby (Senior Lecturer in Science Communication Studies, University of Manchester)

Lab Coats in Hollywood

Science, Scientists, and Cinema

David A. Kirby (Senior Lecturer in Science Communication Studies, University of Manchester)

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English

MIT Press
08 February 2013

Film & movie: styles & genres; Impact of science & technology on society

Series: The MIT Press

How science consultants make movie science plausible, in films ranging from 2001- A Space Odyssey to Finding Nemo.

Stanley Kubrick's 2001- A Space Odyssey, released in 1968, is perhaps the most scientifically accurate film ever produced. The film presented such a plausible, realistic vision of space flight that many moon hoax proponents believe that Kubrick staged the 1969 moon landing using the same studios and techniques. Kubrick's scientific verisimilitude in 2001 came courtesy of his science consultants-including two former NASA scientists-and the more than sixty-five companies, research organizations, and government agencies that offered technical advice. Although most filmmakers don't consult experts as extensively as Kubrick did, films ranging from A Beautiful Mind and Contact to Finding Nemo and The Hulk have achieved some degree of scientific credibility because of science consultants. In Lab Coats in Hollywood, David Kirby examines the interaction of science and cinema- how science consultants make movie science plausible, how filmmakers negotiate scientific accuracy within production constraints, and how movies affect popular perceptions of science.

Drawing on interviews and archival material, Kirby examines such science consulting tasks as fact checking and shaping visual iconography. Kirby finds that cinema can influence science as well- Depictions of science in popular films can promote research agendas, stimulate technological development, and even stir citizens into political action.

By: David A. Kirby (Senior Lecturer in Science Communication Studies University of Manchester)
Imprint: MIT Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm, Spine: 14mm
Weight: 435g
ISBN: 9780262518703
ISBN 10: 0262518708
Series: The MIT Press
Pages: 280
Publication Date: 08 February 2013
Recommended Age: From 18 years
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

David A. Kirby is Senior Lecturer in Science Communication Studies at the Centre for the History of Science, Technology, and Medicine at the University of Manchester, England.

Reviews for Lab Coats in Hollywood: Science, Scientists, and Cinema

This is a must-read for anyone interested in popular representations of science. Kirby describes the ways that visual media interpret, naturalize, and engage with scientific theories (be they well-accepted, controversial, or fantastical), and how some scientists in turn manipulate cinematic depictions for their own ends. Plus, have I mentioned how much fun it is? -- Carla Nappi * New Books in Science, Technology, and Society * Kirby's book is honest and true, well-researched, unique, and easy to read. -- Jeff Schmerker * The Journal of Mind and Behavior * [O]ne of the most in-depth books on the intersection of science and Hollywood to date. * ScriptPhD.com * From 'prophetic' early films like 1929's Woman in the Moon science-focused movies like 2001: A Space Odyssey to admitted fiascos like The Core, Kirby's command of the subject makes for entertaining reading and, likely, more informed viewing. * Publishers Weekly * For that strange corner where science nut meets movie buff, this is a very enlightening book. * Booklist * For movie-lovers everywhere, it provides a fascinating behind-the-scenes look at how art and science meet in producing motion pictures we find delightful. * Science *