The Householders: Robert Duncan and Jess

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Tara McDowell (Associate Professor and Director, Curatorial Practice, Monash University)

The Householders

Robert Duncan and Jess

Tara McDowell (Associate Professor and Director, Curatorial Practice, Monash University)

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English

MIT Press
24 September 2019

Art & Architecture; History of art & design styles: c 1800 to c 1900; Individual artists, art monographs; Literary studies: poetry & poets

Series: The MIT Press

How the poet Robert Duncan and the artist Jess made the household part of their separate and collaborative creative practice.""I'm a householder,"" the poet Robert Duncan once explained. ""My whole idea of being able to work was to have a household."" In this book, Tara McDowell examines the household (physical and conceptual) that Duncan established with the artist Jess, beginning in 1951 when the two men exchanged marriage vows, and ending with Duncan's death in 1988. For Duncan and Jess, the household-rather than the studio, gallery, or collective-provided the support structure for their art. Indeed, McDowell argues convincingly, their work was coextensive with their household. The material surroundings of their house in San Francisco and the daily rhythms of their domestic lives became part of their creative practice.

Duncan wrote poetry that is romantic, ornate, and obscure; Jess (born Burgess Franklin Collins) created multi-imaged, complex collages and assemblages. McDowell explores their life and work-reading Duncan and Jess with and against each other, in alignment and misalignment. She examines their illustrated book Caesar's Gate, a collaborative effort that led them to reject collaboration; considers each man's lifelong preoccupation with an unfinished project, Jess's Narkissos and Duncan's The H.D. Book; and discusses their ""origin myths"" and self-made genealogies, describing them as a form of witness in the face of the calamities of the twentieth century.

Duncan and Jess made the household a necessary precondition for their art making. Doing so, they reclaimed and rehabilitated the domestic-from which gay couples were traditionally excluded-for their own uses. The household permitted them to reimagine the world. McDowell's portrait of a couple expands to encompass broader issues, urgent in midcentury America and still resonant today- belonging and kinship, alienation, and catastrophe.

By: Tara McDowell (Associate Professor and Director Curatorial Practice Monash University)
Imprint: MIT Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 178mm, Spine: 21mm
ISBN: 9780262042710
ISBN 10: 0262042711
Series: The MIT Press
Pages: 248
Publication Date: 24 September 2019
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Tara McDowell is Associate Professor and Director of Curatorial Practice at Monash University in Melbourne, Australia. She has worked as a curator at the CCA Wattis Institute for Contemporary Arts, San Francisco Museum of Modern Art, and Massachusetts Museum of Contemporary Art.

Reviews for The Householders: Robert Duncan and Jess

Tara McDowell's The Householders allows the reader to peek behind the proverbial curtain of the enigmatic couple's life, and to gain an understanding of how their sacred domain nurtured their creative endeavors and spirits...The book is a stark reminder that the world's ever-shapeshifting perils (be it unrestrained greed, surveillance, or rise of autocracies) must contend with the might and resolve of united communities on the margins, chosen families, and the authentic, creative self. -Flaunt Magazine The Householders shows Duncan and Jess striving to put back together the small corner they occupied. After all, the collage aesthetic that permeated both men's creative output only holds when it has a solid foundation. McDowell reads their domestic life together-the household-as both this base and the glue. -Bookforum