In Montparnasse

With evocative imagery Roe sketches out the intensely visual spectacle on which Montmartre's artistic community was able to draw * Financial Times on 'In Montmartre' * A colourful narrative describing the travails and triumphs of an equally colourful cast. * New Statesman on 'In Montmartre' * [Roe]skilfully weaves her descriptions of artworks into her romp through the artists' struggles and fractious relationships. * The Times on 'In Montmartre' * Lively and engaging... in her entertaining, ingeniously structured account Roe brings Montmartre's heyday back to life. * The Sunday Times on 'In Montmartre' * An elegant synthesis of complex material... it excels: Roe is a skilled and graceful writer. * The Telegraph on 'In Montmartre' * Admirable. What an eye for art Roe has. Brilliant * Guardian, on `In Montmartre' * Enjoyable, engaging, rollicking - the storytelling is lively * Spectator, on `In Montmartre' * Sue Roe describes with plenty of colour how surrealism was born and developed in Montparnasse . . . Roe marshals [the figures behind dada and surrealism] with great finesse * The Times * Brings together some of the chief protagonists in one of the 20th century's most inventive art movements. A vivid read * Radio Times * Roe is a talented writer, fascinated by la vie Boheme . . . She can find phrases that perfectly capture the feeling of a neighbourhood * John Carey, Sunday Times * Highly colourful . . . they're all here, the big names of the time - behaving badly, and, at times, quite madly too * Rachel Cooke, Observer *