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Ways of Curating

Hans Ulrich Obrist

$24.99

Paperback

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English
Penguin Books Ltd
27 May 2015
The world's most famous curator shows how we can use the process of curation outside the art world

Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters with artists, exhibition makers and thinkers - Hans Ulrich Obrist looks to inspire all those engaged in the creation of culture.

Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.
By:  
Imprint:   Penguin Books Ltd
Country of Publication:   United Kingdom
Dimensions:   Height: 180mm,  Width: 110mm,  Spine: 15mm
Weight:   133g
ISBN:   9780241950968
ISBN 10:   0241950961
Pages:   192
Publication Date:  
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  ELT Advanced ,  Primary
Format:   Paperback
Publisher's Status:   Active

Hans Ulrich Obrist is a curator and writer. Since 2006 he has been co-director of the Serpentine Gallery, London. He is the author of Ways of Curating and, with Ai Weiwei, of Ai Weiwei Speaks.

Reviews for Ways of Curating

This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today * Financial Times * The sheer energy [Obrist] has brought to working with artists themselves is the abiding impression of Ways of Curating -- Brian Dillon * Literary Review * An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development -- Ekow Eshun * Independent * One of the most colourful figures in the artworld today . . . Hans Ulrich Obrist [is] not so much a curator as a human whirlwind * Guardian *


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