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The Autobiography of Alice B. Toklas

Gertrude Stein

$22.99

Paperback

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English
Penguin
15 June 2001
For Gertrude Stein and her companion Alice B. Toklas, life in Paris was based upon the rue de Fleurus and the Saturday evenings and 'it was like a kaleidoscope slowly turning'. Picasso was there with 'his high whinnying spanish giggle', as were Cezanne and Matisse, Hemingway and Fitzgerald. As Toklas put it - 'The geniuses came and talked to Gertrude Stein and the wives sat with me'. A light-hearted entertainment, this is in fact Gertrude Stein's own autobiography and a roll-call of all the extraordinary painters and writers she met between 1903 and 1932. Audacious, sardonic and characteristically self-confident, this is a definitive account by the American in Paris.
By:  
Imprint:   Penguin
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 130mm,  Spine: 16mm
Weight:   205g
ISBN:   9780141185361
ISBN 10:   0141185368
Series:   Penguin Modern Classics
Pages:   272
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Reviews for The Autobiography of Alice B. Toklas

A book that is going to cause some annoyance and much discussion. Is Alice B. Toklas a real person? Yes, she is, very much so, secretary and companion and close friend of Certrude Stein for many years. Why the title? Because Alice Toklas was always threatening to write her autobiography, which, Gertrude Stein knew, would in essence be her biography, based on a close intimacy. When the writing was postponed repeatedly, Gertrude Stein announced that she would do it herself. This is the result. This the title. Explain it to your customers if you can. The text is really Gertrude Stein's autobiography, though it gives a delightful background of Alice Toklas, a background of sympathy, cooperation, friendship, and life made up of little things such as cooking and sewing, and making the wheels go round. As a biography of Gertrude it is fascinating. One gots a vivid swift picture of a childhood in Allegheny, Pennsylvania, and in Europe; of college days at Radcliffe and at Johns Hopkins studying medicine. After 1907 she lived with her brother in Paris and one meets Piccasso, Matisse, Juan Cris - the moderns who were trying to make the world see what they saw. And there were many from the writing world, too, Sherwood Anderson, Van Vechten and others. She was always writing, always worried because the world did not understand her. So lucid and sympathetic a study is this, that one feels one could go back to her writings and understand them now. There is no affectation here, none of the stream of consciousness method. Intensely interesting, and should have more than a moderate sale. (Kirkus Reviews)


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