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German
Penguin
29 September 2003
First published in Germany in 1988, this long prose poem is now translated into English by the award-winning poet and translator, Michael Hamburger.

""A deeply intelligent book, but also a marvellously warm and intelligent one""

Andrew Motion

Three men walk the pages of W. G. Sebald's first literary work -- the painter Mathias Gr newald, the botanist G. W. Steller and W. G. Sebald himself. Written as a long poem in three parts, AFTER NATURE delves into each of these lives in turn, teasing out the haunting uncertainties of the past and revealing the terrible burden that history places on all of our shoulders.
By:  
Translated by:  
Imprint:   Penguin
Country of Publication:   United Kingdom
Dimensions:   Height: 197mm,  Width: 129mm,  Spine: 9mm
Weight:   99g
ISBN:   9780141003368
ISBN 10:   0141003367
Pages:   128
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

W.G. Sebald was born in Germany in 1944 and died in December 2001. Until his death he was Professor of European Literature at the University of East Anglia. He is the author of four works of fiction: THE EMIGRANTS, THE RINGS OF SATURN, VERTIGO andAUSTERLITZ. Hamish Hamilton is publishing ON THE NATURAL HISTORY OF DESTRUCTION in February 2003.

Reviews for After Nature

Born in Germany in 1944, W G Sebald settled in England to become Professor of European Literature at the University of East Anglia. He was acclaimed for four seminal works of fiction, and Austerlitz, his final and best-known book, received widespread praise before his untimely death in December 2001. Now his first literary work is published in English for the first time. Taking the form of a long prose poem written in blank verse, it explores the fundamental conflict between man and nature in a highly personalized and potent fashion. Sebald divides his poem into three distinct parts. First he writes from the perspective of the 15th-century artist known as Grunewald, a painter possessed of an extraordinarily tortured perception of the human condition whose real identity is still in doubt. Just as Sebald sees this mysterious artist's distorted images as providing a conduit into creation, so he manipulates the life of Georg Wilhelm Steller, the theologian turned natural scientist who forms the focus of the second section of the book. Finally, in the third part, Sebald examines his own history. 'How far,' he asks, 'must one go back to find the beginning?' In the words of the Poet Laureate Andrew Motion, Sebald was in his last five years beginning to reap the harvest of a lifetime's immaculate thinking, and After Nature is now imbued with a poignant irony Sebald could not have forseen. At the height of his powers Grunewald faded abruptly into a twilight he still inhabits; Georg Steller did not live to see the publication of his zoological masterpiece. It can only be hoped Sebald's straining for a primordial truth will survive him. (Kirkus UK)


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