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The Unicorn

Iris Murdoch

$45

Paperback

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English
Penguin Books Ltd
06 January 1987
A brilliant mythical drama about well-meaning people trapped in a war of spiritual forces

Marian Taylor, who has come as a ""companion"" to a lovely woman in a remote castle, becomes aware that her employer is a prisoner, not only of her obsessions, but of an unforgiving husband.

Hannah, the Unicorn, seemingly an image of persecuted virtue, fascinates those who surround her, some of whom plan to rescue her from her dream of redemptive suffering. But is she an innocent victim, a guilty woman, a mad woman, or a witch? Is her spiritual life really some evil enchantment? If she is forcibly liberated will she die? The ordinary, sensible people survive, and are never sure whether they have understood.
By:  
Imprint:   Penguin Books Ltd
Country of Publication:   United Kingdom
Edition:   New impression
Dimensions:   Height: 195mm,  Width: 130mm,  Spine: 15mm
Weight:   246g
ISBN:   9780140024760
ISBN 10:   014002476X
Pages:   272
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Iris Murdoch(1919-1999) was born in Dublin and brought up in London. She studied philosophy at Cambridge and was a philosophy fellow at St. Anne's College for 20 years. She published her first novel in 1954 and was instantly recognized as a major talent. She went on to publish more than 26 novels, as well as works of philosophy, plays, and poetry.

Reviews for The Unicorn

Suggestions of the supernatural which played a part in one of the earlier Iris Murdoch novels, The Flight from the Enchanter, again appear here and the ??himera of a more pagan world lend their flickering fascination to a fable of freedom and bondage. Captive here is another sorceress, a lovely, lost princesse ??intaine in Gaze Castle, Hannah Crean- Smith whose husband has been away for even years, the ritual number. Marian Taylor, thirty-ish, recovering from an unfortunate romance, comes to Gaze as Hannah's companion and joins her retinue of retainers in an aimless but anxious existence: there is her bailiff-keeper, Gerald Scottow; her dour chatelaine and her brother, homosexually involved with Scottow; and nearby, the neutered but admiring Effingham who assists Marian in ?? first, failing attempt to free Hannah. The uncertain attachments within the castle are matched by the lowering landscape without, where the coastal cliffs are lashed by the sea. Finally it is Marian who helps to liberate Hannah- the escape which can only be to another world... Beneath the sommabalistic shadowplay here, this is perhaps an allegory of possession, real and unreal, other-worldly and earthly, and it is an imaginative fantasia. Miss Murdoch is an acquired taste- addictive too. (Kirkus Reviews)


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