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Grace Notes

Bernard MacLaverty

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English
Vintage
27 February 1998
Returning to Belfast after a long absense, to attend her father`s funeral. Catherine McKenna-a young composer-remembers exactly why she left- the claustrophobic intimacies of the Catholic enclave, her fastidious, nagging mother, and the pervading tensions of a city at war with itself. She remembers a more innocent time, when the Loyalists Lambeg drums sounded mysterious and exciting; she remembers her shattered relationship with the drunken, violent Dave, she remembers the child she had with him, waiting back in Glasgow. This is a novel, about coming to terms with the past and the healing power of music, GRACE NOTES is a master story-teller`s triumphant return to the long form- a powerful lyrical novel of great distinction.
By:  
Imprint:   Vintage
Country of Publication:   United Kingdom
Edition:   New edition
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 19mm
Weight:   203g
ISBN:   9780099778011
ISBN 10:   0099778017
Pages:   288
Publication Date:  
Recommended Age:   From 0 years
Audience:   General/trade ,  ELT Advanced
Format:   Other merchandise
Publisher's Status:   Active

Reviews for Grace Notes

A lyric novel about music and motherhood. Catherine McKenna is an Irish-born pianist and composer whose emotional turbulence sets the tone for a significant part of the story's soft yet visceral verbal music. Catherine's unusually delicate sense of psychic balance is thrown off by two events in particular: the birth of her first child, Anna, and the sudden death of her estranged yet beloved father. Catherine is not married; her mate is a (mostly) lovable drunkard. As an iconoclastic only child who left her family's home in a small town near Belfast for a university education and career in Scotland, the adult Catherine rarely visits or phones her disappointed parents. Her musical career, though, is flourishing, with the BBC broadcasting her work and commissions coming her way at last. Using flashbacks, interior monologues, and dialogue, MacLaverty very gradually creates a complex, dimensional character, until the third-person narrative seems to speak directly to us from Catherine's struggling soul: It gave Catherine a strange feeling, this invisible cascade of darkness. She felt suffocated by it quilting downwards - whatever it was. This diminuendo of light brought about by something intangible - odourless - invisible. The drawback of MacLaverty's mildly impressionistic approach is the slow, even anticlimactic pace of some scenes, those portraying the domesticity of Catherine's relatively cloistered life, for example, or those, especially, involving her father's death, which open the story. Catherine's character, as it emerges from the fragmentary narrative, tends to overshadow everyone else in a novel guided less by story than by musical tides and perturbations. It's clear that MacLaverty (Walking the Dog, 1995, etc.) has tried to do something rather difficult: to suggest the interior life of an artist struggling to balance the urgent demands of creating music and the equally pressing demands of life. Very often, he succeeds in this complex portrait of a woman who is, first and foremost, an artist. (Kirkus Reviews)


  • Short-listed for Booker Prize for Fiction 1997
  • Short-listed for Whitbread Book Awards: Novel Category 1997
  • Shortlisted for Booker Prize for Fiction 1997.
  • Shortlisted for Whitbread Book Awards: Novel Category 1997.

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