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Doghouse Roses

Steve Earle

$32.99

Paperback

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English
Vintage
02 September 2002
'A beautiful and moving collection of short stories by one of our greatest songwriters. It reads like a collaboration between Steinbeck and Kerouac and Bukowski. Steve Earle has taken the great American road song and set it to prose' Jay McInerney

Steve Earle is widely regarded as one of the finest narrative songwriters in the world. These stories, peopled with addicts, hitchhikers, singers, Vietnam vets and drug smugglers, reflect the many facets of the man and the hard-fought struggles, defeats and eventual triumphs he has experienced in a career spanning three decades.
By:  
Imprint:   Vintage
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 14mm
Weight:   160g
ISBN:   9780099422426
ISBN 10:   0099422425
Pages:   224
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Steve Earle has released ten critically-acclaimed albums since his 1986 debut Guitar Town made him an overnight star. A prolonged struggle with drug addiction resulted in a spell in jail in the early 1990s. since his recovery, his comeback albums, beginning with the 1995 Grammy-nominated Train a Comin', have all been critical and commercial successes. His latest album is Transcendental Blues. Earle also works on behalf of a number of political and social causes which have been the subjects of his songs for years. He serves as a board member of an organisation that seeks to abolish the death penalty and is also active in anti-landmine and welfare rights movements.

Reviews for Doghouse Roses

The Texan-born author of this first collection of short stories, Steve Earle, is already known to millions on both sides of the Atlantic as a best-selling guitarist and songwriter. His chequered career has included drug addiction and a term in prison as well as hit records, and Doghouse Roses leans heavily on the more colourful aspects of its author's past life for its inspiration. Though Earle casts his net wide and uses many different voices, quite a number of the stories included here might be classed as inconsequential, concerned more with delivering a 'slice of life' than having the rounded shape of a classic tale. Yet some of these are among the most needlingly perceptive in the book, closely observed studies that lose no time in getting under the reader's skin and use much the same affectionate scrutiny with which John Steinbeck viewed his cheerful no-hopers in Cannery Row and Tortilla Flat. 'Wheeler County', for example, is simply an account of the lost years spent in a one-horse Texas town by a musician named Harley Watts (does Earle really not know the name of the Rolling Stones' drummer?), while the title story deals with a day in the life of a country-rock singer sliding fast down the far side of the success curve thanks to his dependence on class A drugs. What redeems these potentially trivial and depressing stories, as well as their author's obvious charm and charisma, is their empathetic power to take the reader with them from start to finish. This is a rare gift, and makes Doghouse Roses an involving book of unusual power. (Kirkus UK)


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