Marina Warner was born in London of an Italian mother and an English father. Her history and criticism has focused mainly on female symbolism - Alone of All Her Sex- the Myth and the Cult of the Virgin Mary; Joan of Arc- the Image of Female Heroism; Monuments and Maidens- the Allegory of the Female Form - and is currently finishing a study of fairytale, called From The Beast to The Blonde. She has also written novels. The Lost Father was a Regional Winner of the Commonwealth Writer's Prize and winner of the Macmillan Silver P.E.N Award. She has recently published The Mermaids in the Basement her first collection of short stories. She lives in London with her husband, the artist John Dewe Mathews, and one son.
Warner published this book in 1972 and it was her first biography, although she had written other works of fiction. Its subject - a wicked woman in power - intrigued 1970s readers who were searching for models of female authority. Reprinted in 1993 by Vintage, it rejoins the tradition that was picked up by Chinese writers such as Jung Chang in the book Wild Swans. In a foreword, Warner criticizes a later 'revisionist' biography which depicts Tzu'u-Hsi as 'a nice, dull thing who knows nothing of scheming'. Her own Empress is malicious, vain, corrupt and extreme, rising from humble beginnings as the daughter of a mediocre official in Peking up to the highest office in the land, where she ruled over 400 people. Warner tells the story of her subjects's elite Manchu heritage and childhood, and a turnaround in fortune which came when both Tz'u-Hsi and her sister were plucked from obscurity to become concubines in the new young emperor's harem. The storytelling is detailed and stylish, vividly bringing a distany dynasty to life. (Kirkus UK)