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English
Cambridge University Press
14 March 2024
Few composers embodied wider cultural interests than Wagner or had greater cultural consequences. This is the first collection to examine directly the rich array of intellectual, social and cultural contexts within which Wagner worked. Alongside fresh accounts of historical topics, from spa culture to racial theory, sentient bodies to stage technology, America to Spain, it casts an eye forward to contexts of Wagner's ongoing reception, from video gaming to sound recording, Israel to Friedrich Kittler, and twenty-first century warfare. The collection brings together an international cast of leading authorities and new voices. Its 42 short chapters offer a reader-friendly way into Wagner studies, with authoritative studies of central topics set alongside emerging new fields. It sheds new light on previously neglected individuals such as Minna Wagner, Theodor Herzl and Houston Stewart Chamberlain, and investigates the global circulation of Wagner's works, his approach to money, and the controversies that continue to accompany him.

Edited by:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 27mm
Weight:   888g
ISBN:   9781108836463
ISBN 10:   1108836461
Series:   Composers in Context
Pages:   484
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

David Trippett is Professor of Music at the University of Cambridge and a Fellow of Christ's College. He is author of Wagner's Melodies (2013), is the recipient of the Lockwood and Einstein awards from the American Musicological Society, and has edited collected volumes on music in digital culture, and music and science.

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