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The Lyrics

Since 1962

Bob Dylan

$89.99

Hardback

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English
Simon & Schuster
01 November 2016
The ultimate collection for every Bob Dylan fan: A beautiful, comprehensive volume of Dylan's lyrics, from the beginning of his career through the present day.

As it was well put by Al Kooper (the man behind the organ on "Like a Rolling Stone"), "Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time." Christopher Ricks, editor of T.S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper's assessment, and Dylan well worth celebrating and studying in this authoritative edition of his lyrics. Ricks says: "For fifty years, all the world has delighted in Bob Dylan's books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums."

This collection changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published. The Lyrics, edited with diligence by leading Dylan scholars, is the ultimate, definitive source for unpacking Dylan's enormous, varied, and rich lyrical catalog. As set down, as sung, and as sung again.

By:  
Imprint:   Simon & Schuster
Country of Publication:   United States
Edition:   annotated edition
Dimensions:   Height: 262mm,  Width: 212mm,  Spine: 47mm
Weight:   1.902kg
ISBN:   9781451648768
ISBN 10:   1451648766
Pages:   752
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Reviews for The Lyrics: Since 1962

This Nobel acknowledges what we've long sensed to be true: that Mr. Dylan is among the most authentic voices America has produced, a maker of images as audacious and resonant as anything in Walt Whitman or Emily Dickinson. --Dwight Garner, The New York Times The Nobel Prize in Literature confirms his status as something more than a songwriter of a kind with those who preceded him. For those who follow him closely, savoring his witticisms, poignant observations and the unexpected word at precisely the right time, the acknowledgment is long overdue, with all respect to Messrs. Murakami, Roth, Sondheim and others. Sentence by sentence and verse by verse, Mr. Dylan's body of work is worthy of maximum celebration. --Jim Fusilli, The Wall Street Journal The Nobel committee got this right--Dylan's ongoing achievement in American song is a literary feat to celebrate in this gaudiest of ways. --Rob Sheffield, Rolling Stone He was the rebel, the healer, the bard in blue jeans and oversized shades who sang a generation through war and peace, past the perils of unrest and self-complacency. . . . And now Dylan has entered that pantheon, shoving against the boundaries of the definition of 'literature' just as he pushed past so many borders in music. --Carolyn Kellogg, Los Angeles Times This Nobel acknowledges what we ve long sensed to be true: that Mr. Dylan is among the most authentic voices America has produced, a maker of images as audacious and resonant as anything in Walt Whitman or Emily Dickinson. Dwight Garner, The New York Times The Nobel Prize in Literature confirms his status as something more than a songwriter of a kind with those who preceded him. For those who follow him closely, savoring his witticisms, poignant observations and the unexpected word at precisely the right time, the acknowledgment is long overdue, with all respect to Messrs. Murakami, Roth, Sondheim and others. Sentence by sentence and verse by verse, Mr. Dylan s body of work is worthy of maximum celebration. Jim Fusilli, The Wall Street Journal The Nobel committee got this right Dylan s ongoing achievement in American song is a literary feat to celebrate in this gaudiest of ways. Rob Sheffield, Rolling Stone He was the rebel, the healer, the bard in blue jeans and oversized shades who sang a generation through war and peace, past the perils of unrest and self-complacency. . . . And now Dylan has entered that pantheon, shoving against the boundaries of the definition of literature just as he pushed past so many borders in music. Carolyn Kellogg, Los Angeles Times


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