Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys, Blonde, which was nominated for the National Book Award, and the New York Times bestseller, The Falls, which won the 2005 Prix Femina. She is a Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978. In 2003 she received the Commonwealth Award for Distinguished Service in Literature, and in 2006 she received the Chicago Tribune Lifetime Achievement Award. She is the 2010 recipient of the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award. Joyce Carol Oates lives in Princeton, New Jersey.
Making sense of life in a cataclysmic inner and outer landscape has been Joyce Carol Oates' obsession for five decades. This evocative new collection shows just how much sense she can make of it now. -- Chicago Tribune ...Innovative, brilliant...there are sentences that leave a deeply sensuous pleasure in their wake... -- San Francisco Chronicle Oates's fiction has the curious, morbid draw of a flaming car wreck. It's a testament to Oates's talent that she can nearly always force the reader to look. -- Publishers Weekly ...Vivid...the work reflects a delicious boundary-crossing mix of literary artistry and genre-writing skill...This famously prolific writer continues to surprise us, and that in itself is something to celebrate. -- Library Journal A master class in the art of pure, suspenseful storytelling...Oates is a dangerous writer in the best sense of the word, one who takes risks almost obsessively with energy and relish... [a] dazzling collection. -- New York Times Oates is just a fearless writer... with her brave heart and her impossibly lush and dead-on imaginative powers. -- Los Angeles Times Oates remains ... a living master of the short story-far more virtuosic in manner than the ecstatic realist she is usually taken to be and far more at home in the form, too. -- Buffalo News We think of Oates, like Poe, as a master of terror, but her real mastery is in almost never depicting a strong emotion in isolation...Oates makes for a caustic companion in Sourland - a fearless experimenter forcing the reader ahead of her at knifepoint. -- Los Angeles Times