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Heidegger, Art, and Postmodernity

Iain D. Thomson (University of New Mexico)

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English
Cambridge University Press
29 April 2011
Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.
By:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 224mm,  Width: 154mm,  Spine: 15mm
Weight:   360g
ISBN:   9780521172493
ISBN 10:   0521172497
Pages:   264
Publication Date:  
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Undergraduate ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active

Iain D. Thomson is a Professor of Philosophy at the University of New Mexico, where he also serves as Director of Graduate Studies. He is the author of Heidegger on Ontotheology: Technology and the Politics of Education (Cambridge University Press, 2005), and his articles have appeared in numerous scholarly journals, essay collections and reference works.

Reviews for Heidegger, Art, and Postmodernity

Advance praise: 'Heidegger, Art, and Postmodernity is a fascinating, engaging, and deeply insightful book that will have a revolutionary impact on the understanding of Heidegger's later thought, as well as make important contributions to our understanding of postmodernism, not just in philosophy, but in culture studies more broadly. Thomson's central thesis is that Heidegger's later thought is animated by the development of a distinctively postmodern sensibility. The sense in which his thought is postmodern, however, does not conform to the standard conceptions of postmodernism regnant in current literature. Rather, Heidegger's postmodernism lies in his sense that the late modern technologized epoch in which we live hides within itself the possibility of 'another god', a paradigm shift that takes us beyond the modern into a future we cannot yet envision.' William Blattner, Georgetown University 'Iain Thomson has a real knack for getting Heidegger to speak to contemporary concerns. Against the background of Thomson's pathbreaking interpretation of Heidegger's idea of 'ontotheology', the essays in this volume illuminate a sense of 'postmodernity' that responds to the nihilism of modernity's technological paradigm without falling into nostalgia for a single meaning of being. The resulting pluralism is adroitly explored through examples from high art and popular culture in ways that make Heidegger's difficult late works come alive.' Steven Crowell, Rice University 'I learned a lot from Iain Thomson's book. He has a masterful grasp of the diverse art forms he discusses and he writes about even the most obscure thinkers with verve and clarity. One can trust his critical evaluations, especially his appreciation of the ontological pluralism that stands at the center of Heidegger's hope for a postmodern understanding of being.' Hubert L. Dreyfus, Professor of Philosophy, Graduate School, University of California, Berkeley


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