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To Kill a Mockingbird

To Kill a Mockingbird

Harper Lee

9780099419785

Arrow


Fiction & Literature; Modern & contemporary fiction (post c 1945); Classic fiction (Children's&YA)

Paperback

309 pages

$19.95  $17.95

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'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird'. A lawyer's advice to his children as he defends the real mockingbird of Harper Lee's classic novel - a black man charged with the rape of a white girl. Through the young eyes of Scout and Jem Finch, Harper Lee explores with exuberant humour the irrationality of adult attitudes to race and class in the Deep South of the thirties. The conscience of a town steeped in prejudice, violence and hypocrisy is pricked by the stamina of one man's struggle for justice. But the weight of history will only tolerate so much. To Kill a Mockingbird is a coming-of-age story, an anti-racist novel, a historical drama of the Great Depression and a sublime example of the Southern writing tradition.

By:   Harper Lee
Imprint:   Arrow
Country of Publication:   United Kingdom
Edition:   New edition
Dimensions:   Height: 20mm,  Width: 178mm,  Spine: 110mm
Weight:   168g
ISBN:  

9780099419785


ISBN 10:   0099419785
Pages:   309
Publication Date:   May 1989
Audience:   General/trade ,  Children/juvenile ,  Young adult ,  ELT Advanced ,  Children / Juvenile
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock at Abbey's Bookshop
This is in stock in our store and available now.


A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy - and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference - but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's growing outward have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends. (Kirkus Reviews)

Someone rare has written this very fine novel, a writer with the liveliest sense of life and the warmest, most authentic humour. A touching book; and so funny, so likeable Truman Capote 20031022 There is humour as well as tragedy in this book, besides its faint note of hope for human nature; and it is delightfully written in the now familiar Southern tradition Sunday Times 20031022 Her book is lifted...into the rare company of those that linger in the memory... Bookman 20031022 No one ever forgets this book Independent

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy - and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference - but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's growing outward have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends. (Kirkus Reviews)


  • Runner-up for The BBC Big Read Top 100 2003.
  • Runner-up for The BBC Big Read Top 21 2003.
  • Shortlisted for BBC Big Read Top 100 2003.
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