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The Time of Our Singing

Richard Powers

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Paperback

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English
Vintage
01 April 2004
From the Booker-shortlisted author of The Overstory, an enthralling, wrenching novel about the lives and choices of one family, caught on the cusp of identities

From the Pulitzer Prize-winning author of The Overstory, an enthralling, wrenching novel about the lives and choices of one family, caught on the cusp of identities.

Jonah, Ruth and Joseph are the children of mixed-race parents determined to raise them beyond time, beyond identity, steeped in song. Yet they cannot be protected from the world forever.

Even as Jonah becomes a successful young tenor, the opera arena remains fixated on his race. Ruth turns her back on classical music and disappears, dedicating herself to activism and a new relationship. As the years pass, Joseph - the middle child, a pianist and our narrator - must battle not just to remain connected to his siblings, but to forge a future of his own.

This is a story of the tragedy of race in America, told through the lives and choices of one family caught on the cusp of identities.

'An epic novel of modern America that weaves ideas of race, music and science into a mysterious but satisfying tapestry... Endlessly fascinating' Independent

By:  
Imprint:   Vintage
Country of Publication:   United Kingdom
Edition:   New edition
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 33mm
Weight:   461g
ISBN:   9780099453833
ISBN 10:   0099453835
Pages:   640
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Reviews for The Time of Our Singing

This is a book to take your breath away, so powerful that its ideas and imagination fire the reader's mind. Powers has taken a mixed-race couple, a black woman and a German Jewish immigrant, to tell the story of race in America. The man is a physicist obsessed with the definition of time and the woman is a singer. Music and time, the twin themes of the novel, allow him to return again and again to a subject or a scene, to take a jump into the past or the future. The end meets the beginning with a small black boy lost in the crowd near the statue of Abraham Lincoln during Marian Anderson's concert in 1939 and, in the closing pages, the same small boy disappears into the millions attending a meeting led by Farrakhan. In between there is the obscene illegality of mixed marriages, the savage cruelty and inequality leading to the civil rights movement, the rise of black power and the subsequent imprisonment of the Panthers and, described with shattering immediacy, there are the bloody race riots. David and Delia believe that 'the bird and the fish can marry' but this act of faith leaves their children labelled 'mulatto' or 'mule', the butt of discrimination and gibes from black and white. One son embraces classical music and defends his right to plunder what is beautiful in the European heritage while another tries to understand each and every kind of music so that all people might sing. 'Time', argues Powers, 'doesn't flow but is. In such a world, all the things that we ever will be or were, we are. In such a world who we are must be all things.' No concessions are made to the reader who must wrestle with long explanations of quantum physics and subtle descriptions of harmony and dissonance. The triumph of this writing is that the novel's traditional form is woven so tightly with the philosophical ideas that every page is a welcome discovery and a joy. (Kirkus UK)


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