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The Tribe

Portraits of Cuba

Carlos Manuel Álvarez Frank Wynne Rahul Bery

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English
FITZCARRALDO EDITIONS
19 July 2022
Carlos Manuel lvarez, one of the most exciting young writers in Latin America, employs thecrnica form - a genre unique to Latin American writing that blends reportage, narrative non-fiction, and novelisticforms - to illuminate a particularly turbulent period in Cuban history, from the re-establishment of diplomatic relationswith the US, to the death of Fidel Castro, to the convulsions of the San Isidro Movement.

Unique, edgy and stylishly written, The Tribe shows a society in flux, featuring sportsmen in exile, artists, nurses,underground musicians and household names, dissident poets, the hidden underclass at a landfill, migrants attempting tomake their way across Central America, fugitives escaping the FBI, dealers from the black market, as well as revelers andpolicemen in the noisy Havana night. It is a major work of reportage by one of Granta's Best of Young Spanish-Languagenovelists.

'There is magic in these pages...[T]his book tells the actual story of Cuba as it exists today.'- Jon Lee Anderson

'lvarez does not try to instruct or speculate. He does not write on whether the Revolution succeeded or failed. He doesnot determine whether the leader was a hero or a tyrant. His book is not an explanation: it is ... the history of a countrytold through its people.'- Mara Teresa Hernndez, AP News

By:  
Translated by:   ,
Imprint:   FITZCARRALDO EDITIONS
Country of Publication:   United Kingdom
Dimensions:   Height: 197mm,  Width: 125mm, 
ISBN:   9781913097912
ISBN 10:   1913097919
Pages:   336
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Carlos Manuel Alvarez divides his time between Havana and Mexico City. He was included in Bogota39's best Latin American writers under 40 in 2017 and in Granta's Best Young Spanish Novelists in 2021. The Tribe, his first book, appeared in 2017 with Sexto Piso. He is also the author of two novels, The Fallen (Fitzcarraldo Editions, 2019), and Falsa Guerra (forthcoming with Fitzcarraldo Editions).

Reviews for The Tribe: Portraits of Cuba

'There is magic in these pages...[T]his book tells the actual story of Cuba as it exists today.' - Jon Lee Anderson 'Alvarez is very good on the absurdist rituals of zombie totalitarianism...The Tribe vividly explores the more offbeat milieus and people of an extended Cuba.' - Lorna Scott Fox, TLS 'A journalistically rigorous picture of Cuban life, The Tribe is characterized by the gaps between Alvarez's subjects. Using interviews and on-site reportage, Alvarez profiles people from various socioeconomic backgrounds, with contrasting political affiliations. The sketches he compiles demonstrate a wide range of experiences and perceptions of Cuba. Alvarez allows the juxtapositions between these profiles to reveal a country that looks different from person to person.... A nation is, after all, nebulous- the only way to make an honest portrait is to approach it from myriad perspectives. In The Tribe, the resulting mosaic is rich for its nuance and contradictions.' - Morgan Graham, Chicago Review of Books 'Alvarez has smuggled an important ethnographic work inside the form of an entertaining and well-written cronica.' - Alex Payne, Buzz Magazine 'Alvarez does not try to instruct or speculate. He does not write on whether the Revolution succeeded or failed. He does not determine whether the leader was a hero or a tyrant. His book is not an explanation: it is .... the history of a country told through its people.' - Maria Teresa Hernandez, AP News 'That rarest of books about a people that achieves a restorative function without idling in a documentarian mode, The Tribe's gift to its subjects is not raising them as a hot topic, but by preserving their dignity in spite of the headlines.' - Words Without Borders 'This is one of those books you'll read in a single sitting. Conveying readers to the turbulent landscapes of Cuba's recent political past, it offers a refreshing assessment of the country outside of typical historic tropes, giving voice to ordinary Cubans, from artists and nurses to underground musicians and dissident poets.' - Lucy Kehoe, Suitcase Magazine


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