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Rafael Lozano-Hemmer

Unstable Presence

Rudolf Frieling François LeTourneux Olivier Asselin Sean Cubitt

$75

Hardback

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English
Prestel
01 June 2020
"This mid-career monograph offers a nuanced perspective on contemporary artist Rafael Lozano-Hemmer's oeuvre.

Rafael Lozano-Hemmer's installations engage the audience in unique and seductive ways - measuring their heart rate, surveilling their faces, even circulating their breath. Often characterised by particular interactions between the work and the viewer, Lozano-Hemmer's art explores themes such as forced cohabitations, power imbalances, and contemporary techniques of surveillance and control. This mid-career retrospective book focuses on works produced over the past two decades. It includes essays that explore the poetic and political dimensions of the artist's work, along with in-depth examinations of four major works - Zoom Pavilion, Vicious Circular Breathing, Voz Alta, and Pulse Room. It also features full-colour illustrations of sixteen recent works, including a newly created immersive sound environment, Sphere Packing: Bach. An essential guide to a deeper understanding of the themes that connect these technically sophisticated and emotionally resonant works, this book draws on the idea of an ""unstable presence"" to communicate the humanity and the anxiety that lie at the centre of Lozano-Hemmer's art.

AUTHORS: Rudolf Frieling is Curator of Media Arts at the San Francisco Museum of Modern Art.

Lesley Johnstone is Curator and Head of Exhibitions and Education at the Musee d'art contemporain in Montreal, Quebec.

117 colour illustrations"

Contributions by:   , ,
Edited by:   ,
Imprint:   Prestel
Country of Publication:   Germany
Dimensions:   Height: 295mm,  Width: 254mm,  Spine: 22mm
Weight:   1.446kg
ISBN:   9783791359113
ISBN 10:   3791359118
Pages:   176
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Unspecified

RUDOLF FRIELING is Curator of Media Arts at the San Francisco Museum of Modern Art.

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