Radically Rethinking Copyright in the Arts

A Philosophical Approach

James Young

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English

Routledge
29 April 2022

The Arts: General & Reference; History of Art & Design Styles; Philosophy: aesthetics; Jurisprudence & philosophy of law; Copyright law

Series: Routledge Research in Aesthetics

This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of art to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: (1) creativity is restricted and (2) they primarily serve the interests of large corporations over those of the artists and general public. Against this background, the author presents an account of the ontology of artworks and explains what metaphysics can tell us about ownership in the arts. Next, he makes a moral argument that copyright terms should be shorter and that corporations should not own copyrights. The remaining chapters tackle questions regarding the appropriation of tokens of artworks, pattern types, and artistic elements. The result is a sweeping reinterpretation of copyright in the arts that rests on sound ontological and moral foundations. Radically Rethinking Copyright in the Arts will be of interest to scholars and advanced students working in aesthetics and philosophy of art, metaphysics, philosophy of law, and intellectual property law.

By: James Young
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 229mm, Width: 152mm,
Weight: 280g
ISBN: 9780367527686
ISBN 10: 0367527685
Series: Routledge Research in Aesthetics
Pages: 184
Publication Date: 29 April 2022
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

1. The Problems and the Keys to Their Solutions 2. Ontology of Artworks 3. Copyright and its Limits 4. Token Appropriation 5. Pattern Appropriation 6. Appropriations of Artistic Elements Conclusion and Summary of Recommendations

James O. Young, FRSC, is Professor of Philosophy at the University of Victoria. He is the author of several books including Art and Knowledge (2001), Cultural Appropriation and the Arts (2008) and Critique of Pure Music (2014).