Oil, like other fossil fuels, permeates every aspect of human existence. Yet it has been largely ignored by cultural critics, especially in the context of the Global South. Seeking to make visible not only the pervasiveness of oil in society and culture but also its power, Oil Fictions stages a critical intervention that aligns with the broader goals of the energy humanities.
Exploring literature and film about petroleum as a genre of world literature, Oil Fictions focuses on the ubiquity of oil as well as the cultural response to petroleum in postcolonial states. The chapters engage with African, South American, South Asian, Iranian, and transnational petrofictions and cover topics such as the relationship of colonialism to the fossil fuel economy, issues of gender in the Thermocene epoch, and discussions of migration, precarious labor, and the petro-diaspora. This unique exploration includes testimonies of the oil encounter—through memoirs, journals, and interviews—from a diverse geopolitical grid, ranging from the Permian Basin to the Persian Gulf.
By engaging with non-Western literary responses to petroleum in a concentrated, sustained way, this pathbreaking book illuminates the transnational dimensions of the discourse on oil. It will appeal to scholars and students working in literature and science studies, energy humanities, ecocriticism, petrocriticism, environmental humanities, and Anthropocene studies.
In addition to the editors, the contributors to this volume include Henry Obi Ajumeze, Rebecca Babcock, Ashley Dawson, Sharae Deckard, Scott DeVries, Kristen Figgins, Amitav Ghosh, Corbin Hiday, Helen Kapstein, Micheal Angelo Rumore, Simon Ryle, Sheena Stief, Imre Szeman, Maya Vinai, and Wendy W. Walters.
Preface Acknowledgements Introduction: Reading Our Contemporary Petrosphere Stacey Balkan and Swaralipi Nandi 1. Petrofiction, Revisited Amitav Ghosh 2. Energy and Autonomy: Worker Struggles and the Evolution of Energy Systems Ashley Dawson 3. Gendering Petrofiction: Energy, Imperialism, and Social Reproduction Sharae Deckard 4. Petrofeminism: Love in the Age of Oil Helen Kapstein 5. “We Are Pipeline People”: Nnedi Okorafor’s Ecocritical Speculations Wendy W. Walters 6. Petro-drama in the Niger Delta: Ben Binebai’s My Life in the Burning Creeks and Oil’s “Refuse of History” Henry Obi Ajumeze 7. Documenting “Cheap Nature” in Amitav Ghosh’s The Glass Palace: A Petro-aesthetic Critique Stacey Balkan 8. Aestheticizing Absurd Extraction: Petro-capitalism in Deepak Unnikrishnan’s “In Mussafah Grew People” Swaralipi Nandi 9. Petro-cosmopolitics: Oil and the Indian Ocean in Amitav Ghosh’s The Circle of Reason Micheal Angelo Rumore 10. Xerodrome Lube: Cyclonic Geopoetics and Petropolytical War Machines Simon Ryle 11. Oil Gets Everywhere: Critical Representations of the Petroleum Industry in Spanish American Literature Scott DeVries 12. Conjectures on World Energy Literature Imre Szeman 13. Petrofiction as Stasis in Abdelrahman Munif’s Cities of Salt and Joseph O’Neill’s Netherland Corbin Hiday Memoirs and Interviews 14. Assessing the Veracity of the Gulf Dreams: An Interview with Author Benyamin Maya Vinai 15. Testimonies from the Permian Basin Kristen Figgins, Rebecca Babcock, and Sheena Stief Afterword Contributors Index
Stacey Balkan is Assistant Professor of English and Environmental Humanities at Florida Atlantic University and author of the forthcoming book Rogues in the Postcolony: Narrating Extraction and Itinerancy in India. Swaralipi Nandi is Assistant Professor of English at Loyola Academy. She is the coeditor of Spectacles of Blood: A Study of Masculinity and Violence in Postcolonial Films and The Postnational Fantasy: Essays on Postcolonialism, Cosmopolitics and Science Fiction.
Reviews for Oil Fictions: World Literature and Our Contemporary Petrosphere
This excellent collection not only provides an authoritative introduction to petrofiction's key texts, conceptual debates, and critical methodologies but also extends the range and scope of that work. In their impressive expansion of the geographical ambit and theoretical concerns of oil fiction, particularly into the Global South, these essays offer new and hitherto underrealized perspectives. They are what the field has been waiting for. -Graeme Macdonald, coauthor of Combined and Uneven Development: Toward a New Theory of World-Literature Oil Fictions covers considerable ground in analyzing oil fiction as well as identifying new sensibilities associated with oil's fantasy of progress and well-being. -Sofia Ahlberg, Interdisciplinary Studies in Literature and Environment
