Mapping Impressionist Painting in Transnational Contexts

Emily C. Burns, Alice M. Rudy Price

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English

Routledge
19 December 2022

Art & design styles: Impressionism & Post-Impressionism; Painting & paintings; European history; Modern history to 20th century: c 1700 to c 1900; Colonialism & imperialism

Series: Routledge Research in Art History

"This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries.

The contributors rethink the role of ""French"" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of ""constellations of mobility."" Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term.

This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism."

Edited by: Emily C. Burns, Alice M. Rudy Price
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm,
Weight: 560g
ISBN: 9780367755256
ISBN 10: 0367755254
Series: Routledge Research in Art History
Pages: 240
Publication Date: 19 December 2022
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Emily C. Burns is Associate Professor of Art History at Auburn University. Alice M. Rudy Price is Adjunct Instructor at Temple University, Tyler School of Art and Architecture and Thomas Jefferson University, College of Architecture and the Built Environment.