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Magic and the Dignity of Man

Pico della Mirandola and His Oration in Modern Memory

Brian P. Copenhaver

$105.95

Hardback

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English
The Belknap Press
19 November 2019
"""This book is nothing less than the definitive study of a text long considered central to understanding the Renaissance and its place in Western culture.""

-James Hankins, Harvard University

Pico della Mirandola died in 1494 at the age of thirty-one. During his brief and extraordinary life, he invented Christian Kabbalah in a book that was banned by the Catholic Church after he offered to debate his ideas on religion and philosophy with anyone who challenged him. Today he is best known for a short speech, the Oration on the Dignity of Man, written in 1486 but never delivered. Sometimes called a ""Manifesto of the Renaissance,"" this text has been regarded as the foundation of humanism and a triumph of secular rationality over medieval mysticism.

Brian Copenhaver upends our understanding of Pico's masterwork by re-examining this key document of modernity. An eminent historian of philosophy, Copenhaver shows that the Oration is not about human dignity. In fact, Pico never wrote an Oration on the Dignity of Man and never heard of that title. Instead he promoted ascetic mysticism, insisting that Christians need help from Jews to find the path to heaven-a journey whose final stages are magic and Kabbalah. Through a rigorous philological reading of this much-studied text, Copenhaver transforms the history of the idea of dignity and reveals how Pico came to be misunderstood over the course of five centuries. Magic and the Dignity of Man is a seismic shift in the study of one of the most remarkable thinkers of the Renaissance."

By:  
Imprint:   The Belknap Press
Country of Publication:   United States
Dimensions:   Height: 235mm,  Width: 156mm, 
ISBN:   9780674238268
ISBN 10:   0674238265
Pages:   704
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Brian P. Copenhaver is Distinguished Professor Emeritus of Philosophy and History at the University of California, Los Angeles, where he directed the Center for Medieval and Renaissance Studies. He is a member of the American Academy of Arts and Sciences, editor of History of Philosophy Quarterly, past president of the Journal of the History of Philosophy, and on the boards of Harvard’s I Tatti Renaissance Library and the Italian Istituto Nazionale di Studi sul Rinascimento. He has received fellowships from the Guggenheim and Getty foundations and has authored many books, including Hermetica, The Book of Magic, and Magic in Western Culture.

Reviews for Magic and the Dignity of Man: Pico della Mirandola and His Oration in Modern Memory

Copenhaver painstakingly reconstructs the story, or rather stories, of how Pico and his Oration were read and misread over the centuries. This is very much a project of love. -- Eva Del Soldato * Speculum * Massive, lively, and learned...He explains how and why historians decided to put this Renaissance philosopher and his ideas not only in a box, but in the wrong one...Copenhaver analyzes the arguments of Pico's critics with precision and panache...[He] has cut through generations of misguided commentary and shown us how to read this complex, baffling text. -- Anthony Grafton * New York Review of Books * This is nothing less than the definitive study of a text long considered central to the understanding the Renaissance and its place in Western culture. Even though the effect of Copenhaver's reading is to demote the text from that status, this book will certainly be a must-read for anyone, especially historians of philosophy and intellectual historians, interested in the larger significance of the Renaissance. -- James Hankins, Harvard University Brian Copenhaver's Magic and the Dignity of Man is erudite, original, and eloquent. In it he carries out two major tasks, one of demolition and one of construction, with great skill and flair. The book reinterprets one of the most prominent thinkers of the Italian Renaissance in ways that will be widely discussed. No future interpretation of Pico's life or work, no future reading of Renaissance philosophy, will be able to avoid engaging with it. -- Anthony Grafton, Princeton University


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