Liam Gillick is an artist based in New York. His work has been featured in numerous exhibitions, including documenta and the Venice and Berlin Biennales, and he has been nominated for a Turner Prize and Vincent Award. He serves on the graduate committee of the Center for Curatorial Studies and Art in Contemporary Culture at Bard College and was a mentor at the Columbia University School of the Arts from 1997 to 2013.
In prose at once forthright and oblique, Liam Gillick attempts to extricate himself-and us, his readers-from the enveloping protoplasm known as 'contemporary art.' At the core of this book is a compelling alternative genealogy for our current condition, traced across four soft revolutions from 1820 to 1974. What that genealogy cumulatively reveals is a provocative diagnosis of the present as interminable: an entropic horizon against which artists and curators deploy their 'evasive markers.' With Industry and Intelligence, Gillick proves himself the most lucid inheritor of conceptualism's artist-writers, truly a latter-day Robert Smithson or Dan Graham. -- Tom McDonough, Binghamton University, author of The Situationists and the City: A Reader