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Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino by Jonathan Cavallero at Abbey's Bookshop,

Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino

Jonathan Cavallero

9780252078071

Illinois University Press


Film, TV & Radio; Films, movies & cinema; Film theory & criticism; Individual film directors, film-makers; Ethnic studies; Physical anthropology & ethnography

Paperback

264 pages

$42.95

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Hollywood's Italian American Filmmakers explores the different ways in which Italian American directors from the 1930s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American imagined community, others have ignored or even denied their background. Jonathan J. Cavallero examines the films of Frank Capra, Martin Scorsese, Nancy Savoca, Francis Ford Coppola, and Quentin Tarantino with a focus on what the films reveal about each director's view on Italian American identities. Whereas Capra's films often portray an America that largely erases ethnic differences, Scorsese embraces his ethnic heritage as a defining identity. Similarly, many of Coppola's films provide a nostalgic treatment of Italian American identity, but with little criticism of the culture's more negative aspects. And while Savoca's movies reveal her artful ability to recognize the ways ethnic, gender, and class identities overlap, Tarantino's films exhibit a playfully postmodern engagement with Italian American ethnicity.

By:   Jonathan Cavallero
Imprint:   Illinois University Press
Country of Publication:   United States
Dimensions:   Height: 226mm,  Width: 150mm,  Spine: 18mm
Weight:   386g
ISBN:  

9780252078071


ISBN 10:   0252078071
Pages:   264
Publication Date:   May 2011
Audience:   College/higher education ,  Professional and scholarly ,  Further / Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock at Abbey's Bookshop
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This book makes a significant contribution to the limited academic literature on Italian American filmmakers. The description and analysis is first-rate and convincing, and its subject matter will appeal to the general public, as well as scholars, researchers, and students in many disciplines. Frank Tomasulo, co-editor of More than a Method: Trends and Traditions in Contemporary Film Performance

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