Hits, Flops, and Other Illusions

"“Ed Zwick is responsible for some of the best entertainment of the last forty years. Hits, Flops and Other Illusions takes its place alongside Adventures in the Screen Trade and Easy Riders, Raging Bulls as one of the indispensable behind-the-scenes books for fans of movies and television.” — Aaron Sorkin “Ed Zwick is a great storyteller, and Hits, Flops and Other Illusions is a terrific trifecta. It’s a true memoir, filled with people we all want to know more about. It’s personal and funny, charting a career of clear and definitive twists and turns. AND, as a bonus, it's full of do's and don'ts for filmmakers. I inhaled it. It made me think, like a book about a creative life should. It’s the best kind of book. EVEN THOUGH THE MOTHERFUCKER NEVER HIRED ME!” — Jamie Lee Curtis “With characteristic warmth and wit, Ed Zwick has delivered an instant classic. Hits is not just a wonderfully intimate memoir. It's also an indispensable guide to the shark-infested waters of artistic integrity. Zwick is a masterful storyteller, well known for creating characters brimming with humanity. It’s no surprise to learn that his best character just might be himself."" — Cameron Crowe “In this delightfully candid and moving memoir, Ed Zwick allows us to follow him on his remarkable journey as a filmmaker. He guides us onto the movie sets, behind the cameras, and into the rooms with studio execs and stars. In the process, we are given a front-row seat to witness a world of Hollywood most of us never see."" — David Grann, #1 New York Times bestselling author of The Wager and Killers of the Flower Moon “The legendary Ed Zwick's rollicking, rib-wrecking recollection of cinematic silliness and salvation is an ‘in-one-sitting’ thrill ride. Get it!""  — Patton Oswalt “If you’re interested at all in movies, directing, navigating Hollywood, it is sweet . . . Great book . . . This is up there for me with the Sidney Lumet book [Making Movies].” — Rob Lowe on Literally! With Rob Lowe  “This funny, insightful, and deliciously dishy memoir covers the highs and lows of life in Hollywood, recalls the superstars and psychopaths who've crossed Zwick's path, and shares the all-too-rare truth about what really happens behind the scenes of one of the world's most glamorous industries.” — Town & Country, “Must-Read Books of Winter 2024” ""A rollicking career retrospective that looks back at temperamental actors, vengeful studio heads, and the mysterious alchemy that governs great filmmaking . . . wildly entertaining . . . For film buffs, it’s a must-read.""   — Publishers Weekly “The author warns early on that he’ll be dropping names, and he certainly does . . . Not everyone is remembered so fondly, but the author on the whole comes off as humble about his success and charmingly self-deprecating . . . [a] heartfelt memoir in movies and more.” — The Wall Street Journal “[In] his revelatory new book, director Ed Zwick goes deep on the pain, the glory—and the sometimes combative male energy on set.” — Vanity Fair “[The flops] are outweighed by his many successes, including the beloved TV series My So-Called Life, and films with such imposing (and challenging) stars as Denzel Washington, Tom Cruise, Brad Pitt and Leonardo DiCaprio. The book includes lists of filmmaking tips from mentors including Sydney Pollack (“Certain actors can’t do speeches”), lessons learned (“Every great film has at least one indelible image, but you can’t plan it”), and indignities (one star made Zwick sit and watch as he rehearsed in 48 different pairs of pants).” — Chicago Sun-Times “Director, producer, and writer Zwick shares the highs and lows of his storied career in this lively and intimate memoir . . . Filled with both behind-the-scenes anecdotes, including his difficulties with Matthew Broderick on Glory and his attempts to wrangle a young Julia Roberts for Shakespeare in Love, and his pointed and insightful tips for directing and writing and thoughtful meditations on making a life in the arts, there's plenty to enjoy here for film buffs and aspiring creatives alike.” — Booklist (starred review) “[The dish Zwick delivers] explains how easily personality clashes can derail a project and how a good director manages the difficult dance between art and commerce in an industry overflowing with narcissists . . . Zwick keeps his own ego out of the narrative . . . [but] has kept his sense of humor. A good-natured memoir of 1990s and 2000s show-running and filmmaking.” — Kirkus"