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Histories of Ornament

From Global to Local

Gülru Necipoglu Alina Payne Michele Bacci Anna Contadini

$105

Hardback

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English
Princeton University Press
08 March 2016
This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and

Contributions by:   , ,
Edited by:   ,
Imprint:   Princeton University Press
Country of Publication:   United States
Dimensions:   Height: 292mm,  Width: 216mm,  Spine: 36mm
Weight:   2.183kg
ISBN:   9780691167282
ISBN 10:   0691167281
Pages:   464
Publication Date:  
Audience:   College/higher education ,  Professional and scholarly ,  Primary ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
"Introduction 1 Gulru Necipoglu and Alina Payne Part I Contemporaneity of Ornament in Architecture Chapter 1 Ornament and Its Users: From the Vitruvian Tradition to the Digital Age 10 Antoine Picon Chapter 2 A Natural History of Ornament 20 Vittoria Di Palma Chapter 3 Inscription: On the Surface of Exchange between Writing, Ornament, and Tectonic in Contemporary Architecture 34 Hashim Sarkis Part II Ornament between Historiography and Theory Chapter 4 Ornament as Weapon: Ballistics, Politics, and Architectural Adornment in Semper's Treatise on Ancient Projectiles 46 Spyros Papapetros Chapter 5 The Passage of the Other: Elements for a Redefinition of Ornament 62 Jonathan Hay Chapter 6 The Invention of Mudejar Art and the Viceregal Aesthetic Paradox: Notes on the Reception of Iberian Ornament in New Spain 70 Maria Judith Feliciano Chapter 7 The Flaw in the Carpet: Disjunctive Continuities and Riegl's Arabesque 82 Finbarr Barry Flood Part III Medieval Mediations Chapter 8 Vesting Walls, Displaying Structure, Crossing Cultures: Transmedial and Transmaterial Dynamics of Ornament 96 Gerhard Wolf Chapter 9 Gothic-Framed Byzantine Icons: Italianate Ornament in the Levant during the Late Middle Ages 106 Michele Bacci Chapter 10 Timurid Architectural Revetment in Central Asia, 1370-1430: The Mimeticism of Mosaic Faience 116 David J. Roxburgh Part IV Early Modern Crosscurrents Chapter 11 Early Modern Floral: The Agency of Ornament in Ottoman and Safavid Visual Cultures 132 Gulru Necipoglu Chapter 12 Ornamental Defacement and Protestant Iconoclasm 156 Christopher P. Heuer Chapter 13 Migration of Techniques: Inlaid Marble Floral Decoration in Baroque Naples 166 Daniela del Pesco Chapter 14 Innovation, Appropriation, and Representation: Mughal Architectural Ornament in the Eighteenth Century 178 Chanchal Dadlani Part V Ornament between Figuration and Abstraction Chapter 15 Ornament, Form, and Vision in Ceramics from Medieval Iran: Reflections of the Human Image 192 Oya Pancaroglu Chapter 16 Variety and Metamorphosis: Form and Meaning in the Ornament of Amico Aspertini 204 Marzia Faietti Chapter 17 Images as Objects: The Problem of Figural Ornament in Eighteenth-Century France 216 David Pullins Chapter 18 Ornament and Vice: The Foreign, the Mobile, and the Cocharelli Fragments 228 Anne Dunlop Chapter 19 Gilded Bodies and Brilliant Walls: Ornament in America before and after the European Conquest 238 Thomas B. F. Cummins Part VI Circulations and Translations of Ornament Chapter 20 The Poetics of Portability 250 Avinoam Shalem Chapter 21 ""This Is Babel"": Sicily, the Mediterranean Islands, and Southern Italy (1450-1550) 262 Marco Rosario Nobile Chapter 22 Wrapped in Fabric: Florentine Facades, Mediterranean Textiles, and A-TectonicOrnament in the Renaissance 274 Alina Payne Chapter 23 Threads of Ornament in the Style World of the Fifteenth and Sixteenth Centuries 290 Anna Contadini Part VII Internationalism of Ornament and Modernist Abstraction Chapter 24 The Currency of Ornament: Machine-Lathed Anticounterfeiting Patterns and the Portability of Value 308 Jennifer L. Roberts Chapter 25 Grammars of Ornament: Dematerialization and Embodiment from Owen Jones to Paul Klee 320 Remi Labrusse Chapter 26 Sober Ornament: Materiality and Luxury in German Modern Architecture and Design 334 Robin Schuldenfrei Acknowledgments 349 Notes 351 Bibliography 411 Contributors 443 Index 445 Photo Credits 453"

Gulru Necipoglu is the Aga Khan Professor of Islamic Art and director of the Aga Khan Program for Islamic Architecture at Harvard University. She is the author of The Age of Sinan: Architectural Culture in the Ottoman Empire (Princeton) and The Topkapi Scroll: Geometry and Ornament in Islamic Architecture. Alina Payne is the Alexander P. Misheff Professor of History of Art and Architecture at Harvard University and Paul E. Geier Director of Villa I Tatti, The Harvard Center for Italian Renaissance Studies at Villa I Tatti in Florence. She is the author of The Architectural Treatise in the Italian Renaissance and From Ornament to Object: Genealogies of Architectural Modernism.

Reviews for Histories of Ornament: From Global to Local

After its famous denunciation by Adolf Loos, ornament seemed a wasteful frivolity to most architects and designers. But that attitude has lost steam in recent years, as firms derive much of their revenue by building in places with a healthier regard for pattern and decoration. Right at the outset, this scholarly tome firmly establishes the vitality of architectural ornament today, leaving readers to peruse premodern histories after having shed their Loosian prejudice. --Metropolis [A] handsome book. --Peter Parker, A Magazine for RIBA Friends of Architecture [An] important volume ... seamlessly edited by Necipo?lu and Payne, [the book] covers an unprecedented and stringent collection of scholarly research and reflection. It is not a history of ornament per se, but rather a rigorous and sometimes cautionary record of the history of ornament's shifting meaning and theoretical basis. This volume assesses ornament as a legitimate aspect of designing the future built environment. It is neither elegy nor encyclopedia; the purpose instead is summed up simply in the editors' introduction as 'to address what ornament does [and did].' The result is a summons to surrender preconceived notions about ornament as somehow apart from or inferior to architecture in its full range of possible expression. --Paul Gunther, Architect's Newspaper An exceptionally stimulating ... collection of essays on a topic that is certain to be of increasing importance to our discipline. --Kathleen James-Chakraborty, Journal of the Society of Architectural Historians


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