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English
Vintage
14 August 2017
The 'riotous, insanely readable' new novel from the author of THE HANDMAID'S TALE

The 'riotous, insanely readable' (Observer) retelling of The Tempest from the 2019 Booker Prize-winning author of THE TESTAMENTS.

'Riotous, insanely readable and just the best fun...'Observer

Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other. It will boost his reputation. It will heal emotional wounds.

Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. Also brewing revenge.

After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It's magic! But will it remake Felix as his enemies fall?
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*LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2017
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By:   ,
Imprint:   Vintage
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 19mm
Weight:   223g
ISBN:   9780099594024
ISBN 10:   0099594021
Series:   Hogarth Shakespeare
Pages:   224
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Margaret Atwood is the author of more than forty books of fiction, poetry and critical essays including The Handmaid's Tale, the Booker-winning The Blind Assassin, the MaddAddam trilogy and her latest novel, The Heart Goes Last. Her work has received many awards around the world. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. Her first encounters with Shakespeare took place in the 1950s at her Toronto high school, and she has consistently named him as one of the most important influences on her own work. 'The Tempest is, in some ways, an early multi-media musical. If Shakespeare were working today he'd be using every special effect technology now makes available. But The Tempest is especially intriguing because of the many questions it leaves unanswered. What a strenuous pleasure it has been to wrestle with it!'

Reviews for Hag-Seed

An absolute triumph... ravishing... I am not ashamed to say that I didn't just have a lump in my throat by the end of Hag-Seed, I had tears on the fringed curtains of mine eyes -- Stuart Kelly * Scotland on Sunday * Surpassingly brilliant... without question the cleverest neo-Shakespearean novel I have ever read... the learning and the critical analysis are worn exceptionally lightly, always subordinated to wit, invention, characterisation and slick twists of plot... wonderfully ingenious -- Jonathan Bate * The Times * Atwood reinterprets the play as a heartbreaking novel, told in gorgeous yet economical prose -- Editor's Choice * New York Times Book Review * A triumph... The book illuminates the breadth and depth of the whole play. The troupe's workshops on it fizz with perception as Atwood transmits the pleasurable buzz of exploring a literary masterpiece. There won't be a more glowing tribute to Shakespeare in his 400th anniversary year -- Peter Kemp * Sunday Times * Riotous, insanely readable and just the best fun... The novel builds to a fantastic climax of dark calamity... There is so much exuberance and heart and wonder in this novel that the only thing I want to happen next is for Atwood to rewrite the whole of Shakespeare. (No offence, Will.) -- Viv Groskop * Observer *


  • Long-listed for Baileys Women's Prize for Fiction 2017
  • Long-listed for Baileys Women's Prize for Fiction 2017 (UK)
  • Long-listed for Baileys Women's Prize for Fiction 2017.
  • Long-listed for Baileys Womens Prize for Fiction 2017 (UK)
  • Long-listed for Wellcome Book Prize 2017 (UK)

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