Gender and Popular Visual Culture in India: ‘Benevolent’ Sexism and Disguised Discrimination

— —

Francis Philip Barclay (Central University of Tamil Nadu, India) Kaifia Ancer Laskar (Aliah University, India)

Gender and Popular Visual Culture in India

‘Benevolent’ Sexism and Disguised Discrimination

Francis Philip Barclay (Central University of Tamil Nadu, India), Kaifia Ancer Laskar (Aliah University, India)

$284

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
03 November 2023

Regional studies; Humanities; Media studies; Gender studies: women; Regional geography

Perhaps, male-mindedness seems to have adapted to changing-contemporary circumstances to become more covert and conspiratorial. Sexist suggestions—through objectification and substantiated subordination—for instance, may have been explicit in Indian media a decade earlier. But in the contemporary times of online social media and vociferous feminism, such openness of unfairness against women in the media will, more often than not, be met with strife and unpalatable backlash - fearing which blatant prejudice is prudently steered clear of. It is, hence, understandable that patriarchy, to sustain itself as a culture, has adapted to become more benevolent in an increasingly hostile environment. To identify such sly and stealthy sexism embedded in media content, one may need a reconfigured grasp of contemporary feminist issues and an altered nuance for isolation and identification of discriminatory depictions. This book exposes redefined and hidden sexism that predominates the popular visual culture of India - particularly investigating mass and new media representations that are a prime part of and have a domineering effect on the ensemble of popular visual culture - and characterises contemporary feminist movements. It binds a collection of contemporary Indian case studies of sexism and feminism encompassing communication media such as print, cinema, television, Web series and social media. There is a lack of book titles that study media sexism in the present times, and the proposed book aims to explore an unexplored area that is of social and scholarly importance. This book highlights the duality of media platforms: while media is a critical tool associated with fourth-wave feminism, they still remain to be a deterrent to the development of women engendering inherent and age-old patriarchal notions. This book will be an eye-opener to the general readers about benevolent sexism and train them to identify sexism hidden in seemingly pro-women media representations.

Edited by: Francis Philip Barclay (Central University of Tamil Nadu India), Kaifia Ancer Laskar (Aliah University, India)
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 562g
ISBN: 9781032561448
ISBN 10: 1032561440
Pages: 196
Publication Date: 03 November 2023
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

Foreword Introduction Part 1: Evolving Sexism 1. Introduction to Part 1 2. New Wine in Old Bottles: Benevolent Sexism in the Indian Popular Visual Media 3. Wolf in Sheep’s Clothing? Sexism in Fourth-Wave Feminism 4. Feminine Materiality and Masculine Narratives in Gaming 5. Androcentrism and Gender Stereotyping in Matrimonial Advertisements Part 2: Characterising Contemporary Feminist Cultures 6. Introduction to Part 2 7. Fourth-Wave Feminism: World View and the Indian Context 8. Gendered Memes: Stereotypical Representations to Agentic Counter-Conduct 9. New Dimensions in Relationships: Portrayal of the Culture through Cinema 10. Cinema for Change: Feminist Impressions in Heroine-Centric Plots Part 3: Indian Media and Sexism 11. Introduction to Part 3 12. Female Politicos in Indian Web Series: The Politics of Portrayal 13. Does Sexism Still Sell? Bigotry in Advertisements and its Effect on Body Image and Buying Behaviour 14. Sex Workers and Bollywood: A Study of Misrepresentations and Blurred Lines 15. Women and Emergent Agency in Hindi Partition Cinema 16. The Men and the Media 17. Conclusion

Francis Philip Barclay is a faculty member in the Department of Media and Communication, School of Communication, Central University of Tamil Nadu, India. With a background in journalism, news art and political cartooning, Dr Barclay is also an accomplished media researcher, psephologist and writer. He is the founder-editor of the Journal of Media and Communication (UGC-CARE listed). Dr Barclay has published several books and contributed chapters to many others, in addition to research articles in reputable journals. His research areas include media, politics and regulation, discourse analysis, gender studies, contemporary journalism, new and social media, media usage and effects, media psychology, research methodology and immersive technologies. Dr Barclay has also served several English newspapers in India. Some of his works are available for reading on his personal website, www.francisbarclay.com. Kaifia Ancer Laskar has been teaching in the Department of Journalism and Mass Communication at Aliah University, Kolkata (a public state university) in West Bengal, India, since July 2016. She holds a PhD in Mass Communication and has published in several reputable outlets, including Routledge, Sage, UGC-CARE as well as peer-reviewed journals. Dr Laskar's research interests lie in the areas of gender, race and minority representation in film and television entertainment content. She also conducts qualitative research on disinformation and the digital silencing of religious and sexual minorities.