Olivia Laing is the author of three acclaimed works of non-fiction, To the River, The Trip to Echo Spring and The Lonely City, which has been translated into seventeen languages and sold over 100,000 copies worldwide. Her first novel, Crudo, was a Sunday Times top ten bestseller and won the 2019 James Tait Memorial Prize. She's a Fellow of the Royal Society of Literature and in 2018 was awarded a Windham-Campbell Prize for non-fiction. Laing writes on art and culture for many publications, including the Guardian, New York Times and frieze. Her collected writing on art, Funny Weather: Art in an Emergency, was published in 2020. She lives in Suffolk.
An ambitious, absorbing achievement that will make your brain hum * Evening Standard * Astonishing . . . I love this book -- Esme Weijun Wang, author of <i>The Collected Schizophrenias</i> Laing's impassioned commitment to the promise of bodily freedom, of every body's right to move and feel and love without harming or being harmed, shines through every sentence of the book . . . intensely moving, vital and artful book -- Josh Cohen * Guardian * Laing is a truly thrilling thinker, with an impressively roving intellectual eye * Telegraph * Radically subversive * The Times Literary Supplement * [Everybody] brims with empathy . . . Laing has written a piercing book. That she has no final answer to the problem of freedom does not detract from her achievement. Indeed, she encourages us all to ask new questions to discover how it feels, and what it means, to be free - queries that are as vital as they are resistant to any single answer -- Aziz Huq * Washington Post * Andrea Dworkin, Sontag, Malcolm X, Freud - they speak to us and come alive again, but we aren't asked to decide if they are good or bad; we can listen to their thoughts and ideas. It's a revelation in an age when we seem endlessly to judge and condemn our artists and thinkers -- Chantal Joffe * Guardian * Bristles with energy and understanding as it charts the body's pleasures and pains, its fragilities, and endurance in the long 20th century . . . This really is a book for everybody -- Lisa Appignanesi, author of <i>Mad, Bad and Sad</i> A quintessential book for the precarious moment we've found ourselves in * Washington Post * Olivia Laing writes so well and engagingly -- Philippa Perry, author of <i>How to Stay Sane</i> Even as she glides between subjects and themes, Laing remains anchored by the bond between the body and personhood. In a standout chapter, she claims that the harm of violence is not the work it does to transform subjects into objects, but the incompletion of that work: the soul becomes a ruin with a human face * New Yorker * Through [Laing's] incisive lens, the body-that knot of mind, matter, culture, and society that we dwell inescapably within-becomes almost impossibly fascinating -- Alexandra Kleeman, author of <i>You Too Can Have a Body Like Mine</i> Olivia Laing's mind is a thrill to watch -- Alex Marzano-Lesnevich, author of <i>The Fact of a Body</i> A new book by Olivia Laing is always cause for celebration and Everybody: A Book About Freedom is no exception * Frieze * A provocative inquiry into the body's power and vulnerability . . . casting fresh light on the unending struggles for freedom and autonomy -- Jenn Shapland, author of <i>My Autobiography of Carson McCullers</i> Brainy, open-hearted and bold -- Sarah Schulman, author of <i>Conflict Is Not Abuse </i>and <i>Let the Record Show</i> Laing is radically empathetic, a writer-activist * Vulture * A free-wheeling and joyful exploration -- Jack Halberstam, author of <i>Gaga Feminism</i> At a time in which all of our bodies have made us so strangely isolated and dangerous to each other, Everybody is especially resonant; and shows us just how important it is to explore our sexual identity in order to know who we really are -- Julia Blackburn, author of<i> Time Songs</i> Impassioned and provocative . . . This lucid foray into some of life's deepest questions astonishes * Publishers Weekly, starred review * Intellectually vigorous and emotionally stirring * Kirkus, Starred Review *