Cognate Music Theories: The Past and the Other in Musicology (Essays in Honor of John Walter Hill)

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Ignacio Prats-Arolas

Cognate Music Theories

The Past and the Other in Musicology (Essays in Honor of John Walter Hill)

Ignacio Prats-Arolas

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Hardback

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English

Routledge
13 March 2024

Theory of music & musicology; Western "classical" music; Baroque music (c 1600 to c 1750); Classical music (c 1750 to c 1830)

Series: Routledge Research in Music

This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory.

Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context.

Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music.

Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Edited by: Ignacio Prats-Arolas
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 254mm, Width: 178mm,
Weight: 1.790kg
ISBN: 9781032025940
ISBN 10: 1032025948
Series: Routledge Research in Music
Pages: 286
Publication Date: 13 March 2024
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

Ignacio Prats-Arolas is on the faculty of musicology at the Conservatorio Superior de Música “Joaquín Rodrigo” in Valencia, Spain and teaches courses on music at the Florida State University Valencia Study Center. He holds a PhD in musicology from the University of Illinois, Urbana-Champaign.