PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
An important and beloved radical icon of American letters, Eileen Myles has been described as 'one of the savviest and most restless intellects in contemporary literature'. She has published twenty books of poetry, art journalism, fiction, plays and libretti, and both she and her poems have recently appeared in the hit US TV series 'Transparent'. She is the recipient of a Guggenheim Fellowship in non-fiction, an Andy Warhol/Creative Capital Arts Writers' grant, a Foundation for Contemporary Art Grant, four Lambda Book Awards, the Shelley Prize, the Clark Prize for excellence in art writing and was named to the Slate/Whiting Second Novel List in 2015. Myles lives in Marfa, Texas, and New York. Visit her website at www.eileenmyles.com.
Despite having written the book 20 years ago, Myles's literary style feels as contemporary as the essayistic autobiographical fiction of Sheila Heti, Ben Lerner and Tao Lin, who might be considered Myles's literary offspring. * New York Times * [Myles's] very presence in the world is a form of activism, but the work, when studied with care, is also political in the sense that it gives evidence of one of the richest and most conflicted human hearts you're likely to find * New York Review of Books * Unsettled in the best sense: restless, disturbing, changeable... Myles is exemplary for more and more young writers precisely because she has gone her own way. -- Ben Lerner * Paris Review * One of the richest and most conflicted human hearts you're likely to find -- Dan Chiasson * New York Review of Books * Reading Myles is nothing if not a physical experience, the one-two promise of a heartbeat that goes, I'm alive. I'm alive. * Electric Literature * [This book], on all accounts, redefined the queer novel. * Wonderland * Chelsea Girls offers poetry, sex, Catholicism, drugs, class and sexuality. This new reprint of Myles's hard-talking, lyrical autobiographical novel, about a female writer figuring things out in the 1960s, is the missing data for anyone who has read only the male American beat writers. -- Deborah Levy * New Statesman *
