PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Ceridwen Dovey was born in South Africa and raised between South Africa and Australia. She studied social anthropology at Harvard as an undergraduate and received her Masters in social anthropology from New York University. Her debut novel, Blood Kin, was published in fifteen countries, shortlisted for the Dylan Thomas Prize, and selected for the US National Book Foundation's prestigious '5 Under 35' honours list. The Wall Street Journal has named her as one of their 'artists to watch.' Her second book of fiction, Only the Animals, was described by The Guardian as a 'dazzling, imagined history of humans' relationship with animals.' Ceridwen lives in Sydney. ceridwendovey.com
'In this elegantly structured debut novel ...in lively, straightforward prose, Dovey gets to the heart of the complicit nature of the master - servant relationship, in which 'power and desire couple effortlessly.' The New Yorker 'The prose is sensuous and restrained, the gaze piercing and relentless. Dovey exposes not only the arrogance of power, but also the human heart's dark adoration of the powerful.' Hisham Matar, The Observer 'A fable of the arrogance of power, beneath whose dreamlike surface swirl currents of complex sensuality.' J.M. Coetzee 'A precise and terrifying debut novel ...Dovey's ultimate lesson, that nature and mankind abhor a power vacuum, may be a bleak one, but she presents her case so meticulously and relentlessly that you've got to respect her authority.' New York Times 'A lovely, haunting novel, written with great care and precision. Working on the level of allegory, with a careful consideration of history and myth, Ceridwen Dovey has fashioned a really fine debut.' Colum McCann, author of Let the Great World Spin 'Taut and remarkably self-assured ...there's a knowing sensuality to the novel's sparsely lyric passages ...Impressive.' Los Angeles Times 'A terrific debut novel ...a meticulously constructed story about political corruption and its impact on people's lives ...artfully bleak and ingenious.' Sydney Morning Herald 'In this stripped-down Kafkaesque fable ...Dovey infuses each character with humanity, and brilliantly reveals how banal acts like cooking and shaving can become charged with longing and political intent. ' Vogue (US) 'Dovey's surgical prose and cool apprehension of the machinations of ambition and lust make her a writer to watch.' O, The Oprah Magazine 'Slim and sharp ...Dovey's novel is refreshingly spiky and precise, its insights startling and original.' Entertainment Weekly 'Dovey's mesmerizing novel lifts the lid on a dictatorship and its perilous aftermath ...There is a hypnotic, languorous feel to the writing - even as the conclusion circles with the impatience of vultures over carrion.' Catherine Taylor, The Guardian (UK) 'The trauma of physical violence is kept off stage whilst Dovey strategically deploys snapshots of family heritage. The effect is tense and dramatic, as though the claustrophobic pressures of a country house murder mystery, in which all are implicated by motive or connection, had been transplanted on to the political instability of Garcia Marquez's revolutionary landscapes. Dovey draws strong, vivid characters and her keen eye for signposting detail ...gives a sensual counterpoint to the ruthless logic of her subtly heralded denouement.' The Independent
