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Beethoven's 32 Piano Sonatas

A Handbook for Performers

Stewart Gordon

$79.95

Paperback

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English
Oxford University Press Inc
16 February 2017
The thirty-two Piano Sonatas of Ludwig van Beethoven form one of the most important segments of piano literature. In this accessible, compact, and comprehensive guidebook, renowned performer and pedagogue Stewart Gordon presents the pianist with historical insights and practical instructional tools for interpreting the pieces.

In the opening chapters of Beethoven's 32 Piano Sonatas, Gordon illuminates the essential historical context behind common performance problems, discussing Beethoven's own pianos and how they relate to compositional style and demands in the pieces, and addressing textual issues, performance practices, and nuances of the composer's manuscript inscriptions. In outlining patterns of structure, sonority, keyboard technique, and emotional meaning evident across Beethoven's compositional development, Gordon provides important background and technical information key to understanding his works in context. Part II of the book presents each sonata in an outline-chart format, giving the student and teacher ready access to essential information, interpretive choices, and technical challenges in the individual works, measure by measure, all in one handy reference source.

In consideration of the broad diversity of today's Beethoven interpreters, Gordon avoids one-size-fits-all solutions or giving undue weight to his own tastes and preferences. Instead, he puts the choices in the hands of the performers, enabling them to create their own personal relationship with the music and a more powerful performance.

By:  
Imprint:   Oxford University Press Inc
Country of Publication:   United States
Dimensions:   Height: 234mm,  Width: 165mm,  Spine: 20mm
Weight:   488g
ISBN:   9780190629182
ISBN 10:   0190629185
Pages:   288
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
Preface Measure Numbering Part I Considerations Chapter One: Sources Chapter Two: Beethoven and the Piano Chapter Three: Performance Practices Chapter Four: Beethoven's Expressive Legacy Chapter Five: The Windmills of Beethoven's Mind Part II The Sonatas The Opus. 2 set Opus 7 The Opus 10 set Opus 13 Pathetique The Opus 14 set Opus 22 Opus 26 The Opus 27 set: sonatas like a fantasy; no. 2 Moonlight ;Opus 28 Pastoral The Op. 31 set: no. 2 Tempest; no. 3 Hunt The Op. 49 set: Two Easy sonatas Opus 53 Waldstein Opus 54 Opus 57 Appassionata Opus 78 Opus 79 alla Tedesca Opus 81a Lebewohl Opus 90 Opus 101 Opus 106 Hammerklavier Opus 109 Opus 110 Opus 111 Bibliography

Stewart Gordon is a Professor of Keyboard Studies at the Thornton School of Music of the University of Southern California. He is the author of Etudes for Piano Teachers, Mastering the Art of Performance, Planning Your Piano Success, and A History of Keyboard Literature. He has edited the thirty-two Beethoven piano sonatas, the Debussy etudes, and is preparing an edition of the Mozart piano sonatas.

Reviews for Beethoven's 32 Piano Sonatas: A Handbook for Performers

"""Beethoven's 32 Piano Sonatas: A Handbook for Performers is an excellent reference book, which helps any reader to understand Beethoven's creative genius, his innovations during the time in which he lived, and unusual facets of his personal life and character. For serious piano students and performers, Gordon's Handbook is an inspiration for teachers and performers to play more of Beethoven's sonatas and to have more knowledge about each one to play them better for an audience. It also helps students who hope to be performers. Kudos to Stewart Gordon for a book that deserves to be in every library of musicians who love Beethoven and his compositions."" --American Music Teacher ""This friendly, helpful, refreshingly nondoctrinaire guide to performing Beethoven is quite far from what appears to be a hornet's nest atmosphere in American musicology today. It is addressed to thinking pianists who wish to make up their own minds about what Beethoven may have wanted in his sonatas. It is a book of choices, reasonably argued."" -- International Piano Magazine ""Although there are moments, here and there, that synthesize research and approaches to the sonatas (especially chapters 1-3), the rest of the book presentsan expanded version of the author's excellent and thoughtful critical edition combined with Romantic commonplaces about the universality of music, debatable claims about Beethoven's intentions, and peripheral background information. In order to appreciate Gordon's observations about Beethoven, performers and readers would be best served by paying careful attention to the extensive commentary"" --Notes"


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