Basilisks and Beowulf

'Uncharted territories were not valued for their splendour, but feared for the malign forces they hosted. Tim Flight's book covers the range of creatures that, in the Anglo-Saxon imagination, make their home in such landscapes. From the mysterious blemmyes, headless men with eyes on their chest, to cynocephali (literally, dog-headed ), human-canine hybrids with cannibalistic tendencies, it shows how the monstrous is associated with the corruption of God's design - or, to put it another way, creatures that are almost like humans or animals, but not quite . . . Flight's book is at its best when it explores this early medieval obsession with reinforcing and policing boundaries, and how it feeds into imperial and colonial projects of the time. Demon-fighting is compared with colonial expansion; defending the self against monsters becomes a matter of national security.' - TLS; 'Monsters abound in the literature and art of Anglo-Saxon England. From the most famous work of Old English literature, Beowulf, which relates the adventures of a monster-slaying hero, to hagiographies that narrate encounters between saints and devils, strange creatures are everywhere in England's early Middle Ages. In Basilisks and Beowulf, Tim Flight describes these monsters and analyses their role in the Anglo-Saxon worldview . . . it's well worth the time of anyone interested in the history of monsters.' - Fortean Times; 'A bold and wide-ranging expedition into the wildest corners of the early medieval mind; Flight skilfully conjures the primal fears and ancient wonders that once lurked in England's shadowed groves and hollows.' - Thomas Williams, author of Viking Britain: A History; 'Although he wears his learning lightly, Tim Flight covers an impressive amount of ground to bring us his thoughtful, stimulating account of monsters in the early medieval world. Moving from Beowulf's historical context, through maps, wolves, dragons, devils, and the Grendelkin to present-day fears, Basilisks and Beowulf opens up a strange and yet hauntingly familiar world to anyone who has read the poem or any of its multitudinous offspring.' - Dr Jennifer Neville, Royal Holloway, University of London; 'Immensely readable, thought-provoking and entertaining, this book is a splendid introduction to the though-world of the early English.' - Carolyne Larrington, BBC History Magazine; 'In this exploration of Anglo-Saxon monsters, Flight exhibits a deep knowledge of the Anglo-Saxon corpus and brings together a broad assortment of texts. Flight focuses on the dichotomy between wilderness - the domain of monsters - and civilization. In engaging prose, he explores how the boundaries between these domains shaped Anglo-Saxon perceptions of monsters. Whereas scholarly consideration of Anglo-Saxon monsters generally focuses on Beowulf, Flight includes works in which monsters are featured less conspicuously, such as the sea life in The Seafarer, St. Cuthbert's battles against demons, and the etchings of curious monsters on Franks Casket (an early-eighth-century chest). But Flight certainly does not neglect Beowulf. He offers insight into symbolic representations of the dragon and the Grendelkin; the latter infiltrate the peace at Heorot and are, like St. Christopher in the Nowell Codex, part human. Flight also considers the hero Beowulf himself, whose size and strength render him akin to, though not part of, the realm of monsters. Other topics include wolves, map monsters, dragons, and whales, and a concluding chapter brings into discussion modern monsters such as Bigfoot and big cats in the UK. Recommended.' - Choice