Following official protection of natural environments for public benefit in Fontainebleau Forest in France (1861) and in Yosemite (1864) and Yellowstone (1872) in the USA, the New Forest Act of 1877 marked the first major instance in Britain. Art and artists were involved in this achievement to a greater extent than in all preceding cases. For the first time, and within an ecocritical framework, this study examines the role played by art during the previous anti-enclosure campaign – highlighting both the hitherto-unacknowledged extent of German influence in terms of the original artistic initiative and of German artists’ participation in the cause, as well as the significance of connections between landscape art of the day and priorities of the early Open Spaces movement.
Ecocriticism in art history
With works by the German and British artists George Bouverie Goddard, Wilhelm Kümpel, Alfred Pizzi Newton, Wilhelm Trautschold, Edmund George Warren
By:
Charlotte Yeldham Preface by:
Tim Craven Afterword by:
Jonathan Spencer Imprint: De Gruyter Country of Publication: Germany Edition: 11 farbige Abb. Dimensions:
Height: 230mm,
Width: 155mm,
Weight: 214g ISBN:9783111023359 ISBN 10: 3111023354 Pages: 87 Publication Date:03 April 2023 Audience:
Professional and scholarly
,
Undergraduate
,
Undergraduate
Format:Paperback Publisher's Status: Active
Charlotte Yeldham, Kunsthistorikerin (MA Oxford, PhD Courtauld Institute of Art London), Großbritannien