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A New Perspective for the Use of Dialect in African American Spirituals

History, Context, and Linguistics

Felicia Raphael Marie Barber Andre J. Thomas

$70.99

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English
Lexington Books
15 September 2023
A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research on the use of dialect in spirituals from the past century through the analysis of written scores, recordings, and research. She identifies common elements of early performance practice and provides the phonological and grammatical features identified in early practice. This book contains practical guide for application of her findings on ten popular spiritual texts using the International Phonetic Alphabet (IPA). It concludes with insights by leading arrangers on their use of AAE dialect as a part of the genre and practice.

By:  
Foreword by:  
Imprint:   Lexington Books
Country of Publication:   United States
Dimensions:   Height: 232mm,  Width: 154mm,  Spine: 17mm
Weight:   440g
ISBN:   9781793635365
ISBN 10:   1793635366
Pages:   200
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Felicia Raphael Marie Barber is director of choral activities at Westfield State University.

Reviews for A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics

This unique and critically important text offers the sociocultural context needed for understanding dialect and its use in African American Spirituals. Barber describes the painful reality of the acquisition of African American English through the African Diaspora, while also presenting the language as “a beautiful marriage of features found in both African and English languages.” The author de-politicizes the use of dialect in song by situating it in the study of linguistics while simultaneously keeping central the inherent political and social implications for racial equality, inclusion, and diversity in our musical landscape. Barber’s approach sheds a bright light on linguistic biases and the profound impact they have on the way we hear, select, perform, and study music. This text is an invitation to all who wish to engage in thinking critically about race, language, and the African American Spiritual. -- Andrea Maas, SUNY Potsdam


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