Discover the inspiration for the famed redesign of the Royal Botanic Gardens, Melbourne. It was the young William Guilfoyle's botanical tour of the South Sea Islands in 1868 that provided his vision for the one of the world's great public parks.
Share his excitement of discovering and collecting tropical plants, giving the local cannibals a very wide berth and being an eyewitness to an uprising in Fiji. Here is an unprecedented armchair view of the riches of this region by an emerging botanist who would later transform our understanding of garden design.
Mr Guilfoyle's South Sea Islands Adventure on HMS Challenger is Guilfoyle's detailed account of the four months he spent exploring Samoa, the Friendly Islands, Fiji, the New Hebrides and New Caledonia. It is the final book of a glorious trilogy-Mr Guilfoyle's Shakespearian Botany and Mr Guilfoyle's Honeymoon, The Gardens of Europe & Great Britain-which illuminates the extraordinary genius of William Guilfoyle, botanist, landscape designer, artist and writer.
Bestselling author of Modernists & Mavericks Martin Gayford recounts some of the extraordinary journeys he has made in the name of art.
In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford's journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi's Endless Column in Romania, prehistoric cave art in France, the museum island of Naoshima in Japan, the Judd Foundation in Marfa, Texas, and a Roni Horn work in Iceland.
Interwoven with these accounts are journeys to meet artists - Robert Rauschenberg in New York, Marina Abramovic in Venice, Henri Cartier-Bresson in Paris - or travels with artists, such as a trip to Beijing with Gilbert & George. These encounters not only provide insights into the way artists approach and think about their art but also reveal the importance of their personal environments. And in the process, Gayford discusses how these meetings have impacted on his own evolving ideas and tastes.
To commemorate the 500th anniversary of Leonardo da Vinci's death, world-renowned da Vinci expert Martin Kemp explores 100 of the master's milestones in art, science, engineering, architecture, anatomy, and more.
Leonardo da Vinci was born in the small Tuscan town of Vinci in April 1452. Over the centuries, he has become one of the most famous people in the history of visual culture. Spring 2019 marks the 500th anniversary of his death in May 1519, with exhibitions and events planned across Europe and the United States. This lavishly illustrated volume by Martin Kemp - one of the world's leading authorities on da Vinci - offers a fresh way of looking at the master's work. Kemp focuses on 100 key, broadly chronological milestones that cover an extraordinary range of topic across Leonardo's many fields of discipline: painting, where he brought new levels of formal and emotional grandeur to his works, including The Last Supper and Portrait of Lisa del Giocondo (the 'Mona Lisa'); anatomical studies, which are extraordinary for their sense of form and function (Studies of the Optics of the Human Eye and Ventricles of the Brain); engineering marvels, noted for their range and extraordinary visual quality (Gearing for a Clockwork Mechanism and Wheels without Axles and Designs for a Flying Machine); and his progressive engagement with a range of sciences - anatomy, optics, dynamics, statics, geology, and mathematics.
Jon Molvig (1923–70) settled in his adopted Brisbane in 1955 and dominated the city’s art scene into the late 1960s. A volatile and rebellious character, Molvig was also a charismatic teacher whose uncompromising commitment to painting inspired a group of young artists. Jon Molvig: Maverick will acknowledge Molvig’s contribution to the Brisbane art community, feature his early, vibrant works drawing on European influences and bring his stylistic eclecticism to the fore.
Though short, Molvig’s career was influential, and he was always highly regarded by his peers, as well as by critics Robert Hughes and James Gleeson. Despite wide acquisition of his works by public galleries and private collectors, Molvig’s practice has not necessarily received the broader recognition it deserves. This beautifully designed and richly illustrated publication will revalue the artist’s unique contribution to Australian and Queensland art history on the eve of the 50th anniversary of Molvig’s death.
An authoritative history of art history from its medieval origins to its modern predicaments In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.
The book shows that the pioneering chroniclers of the Italian Renaissance-Lorenzo Ghiberti and Giorgio Vasari-measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however-Jacob Burckhardt, Aby Warburg, Heinrich Wo lfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich-struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.
Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.
An investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures.
The Bauhaus (1919-1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories.
The Bauhaus is most often associated with a handful of famous artists, architects, and designers-notably Paul Klee, Walter Gropius, Laszlo Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhausler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed spirit photographs and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the queer hauntology of certain Bauhaus works; and the role of radical politics on both the left and the right-during the school's Communist period, when some of the Bauhausler put their skills to work for the revolution, and, later, into the service of the Nazis.
With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.
The most extensive fully illustrated book of women artists ever published, GREAT WOMEN ARTISTS reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists, each represented here by a key artwork and short text, this essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices.
'But art has nothing to do with forgery, with lies. The paths of art may be thorny, but they are clean.' Ornament and Crime comprises a selection of essays by celebrated Viennese architect, Adolf Loos, and cover the full range of design - from architecture to jewellery, pottery to plumbing, craft training to printing. A great enthusiast and great hater, Loos and his ideas were absolutely fundamental to 20th century aesthetics, as well as being very enjoyable to read. He extols heroes and denigrates villains, as he makes quite clear- 'If you want to have a contemporary craft, if you want to have contemporary utility objects, then poison the architects'.
The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
Street Art is a phenomenon and subcultural movement that reaches from the darkest urban backstreets to the most glamorous international art fairs. Simon Armstrong examines how it evolved from its origins in the 1970s New York graffiti scene to embrace many new materials, styles and techniques along the way, tracing how this marginal art form graduated into art galleries and the art market, while also heavily influencing design, fashion, advertising and visual culture.
Despite having earned a place in the canon of 20th-century art history, Street Art's qualifications are often disputed both by the art establishment and practitioners themselves, all concerned with notions of authenticity. Examining Street Art's controversial history in detail, this book provides a full-colour worldwide journey, taking in all of the movement's significant artists and artworks, styles, materials and methods, and showcasing the works that have come to define it more than any other. It also examines its close relationship to Pop Art and Digital Art, and explores possible futures for Street Art.
It is often forgotten just how provocative Impressionist canvases seemed when they were first exhibited in 1874. The advocates of the new style rejected the established principles of art prevalent at that time in France.
This book traces Impressionism's origins to its spread to America and Australia. Ralph Skea shows how Impressionist artists transformed everyday subject matter. Daringly using colour and rapid brushstrokes, the Impressionists worked out of doors, creating paintings that captured the transient effects of light and feeling. Impressionism's initial shock factor gradually gave way to widespread acceptance, but only now can we appreciate how profound its influence has been on modern art.
Manet, Pissarro, Morisot, Cezanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late nineteenth-century France and explains why these particular works are as important as their paintings in the representation of modernity.
A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolors by Cezanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art.
The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed
A passionate advocate of craftsmanship over mass-production, William Morris (1834- 1896) designed a huge variety of objects, but it is his highly original carpet, fabric and wallpaper patterns that have continued to capture the imagination and exert their influence on the decorative arts. Around 600 such designs are attributed to Morris, of which the vast majority are based on natural forms, including trees, plants and flowers.
This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris in which flowers are the principal motif, bringing together not only completed patterns but also working drawings in pen and watercolour, and examples of his pearwood, floral-pattern printing blocks. It also explores examples of the sources that inspired Morris's flower-based designs: his own gardens at the Red House in Kent, Kelmscott Manor in Oxfordshire and elsewhere; 16th- and 17th-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and a range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum (now the V&A). Authored by Rowan Bain, curator at the William Morris Gallery in Walthamstow, north London, and lavishly illustrated with almost 100 colour illustrations, this exquisite book will both inform and delight
'Would you still call me a diva if I were a man?' asked Zaha Hadid, challenging as she did so, more than 100 years of stereotypes about female architects. A century in which women were refused entry to architecture schools, were denied degrees when they had completed courses, a century in which even now, women occupy just ten per cent of the highest-ranking jobs in architecture firms. In contrast, BREAKING GROUND is a pioneering, even essential, celebration of incredible architecture designed by women. Featuring more than 150 architects and buildings, and spanning the last 100 years, BREAKING GROUND is both a glorious visual manifesto and a timely record of the extraordinary contribution female architects have made to the profession.
Courtyards have long played an important function in residential design, regulating light, shade and the use of space. With thousands of years of tradition as inspiration, contemporary architects are realizing courtyard living afresh. This lavish survey of 25 residences across the Asia-Pacific region features homes from Australia, Taiwan, Malaysia, Indonesia, Thailand, the Philippines, Singapore, India, Vietnam and Sri Lanka.
Structured by courtyard function, the book consists of five chapters - on privacy; multigenerational living; sightlines; light and ventilation; and living with nature - that are richly illustrated with photography as well as architectural illustrations showing courtyard positions within floor plans.
Showcasing the unique lifestyle opportunities afforded by contemporary courtyard design, this is an inspirational resource for anyone interested in indoor-outdoor living.
Paris, Capital of Fashion accompanies a major exhibition at The Museum at FIT, New York's only museum dedicated solely to the art of fashion. This lavishly-illustrated book is edited by MFIT's director and chief curator, Valerie Steele, also the author of the acclaimed Paris Fashion: A Cultural History. This new book opens with an important essay on how and why Paris became famous as the international capital of fashion.
Steele traces how the mythic aura of Paris fashion was constructed over generations, as the splendour of the court at Versailles came to be echoed by the spectacle of the haute couture. Yet Paris has faced repeated challenges from other fashion capitals, especially London, Milan, and New York. Essays by Christopher Breward, David Gilbert, Grazia d'Annunzio, and Antonia Finnane place Paris within a broader global narrative, while Sophie Kurkdjian investigates the cultural value of the Parisian couture, and Agnes Rocomora explores the online imagery of the chic Parisienne.
As The New Yorker recently put it, Paris is the most glamorous and competitive of the world's fashion capitals. No other city has been branded Fashion as Paris has. By opening the study of Paris fashion to new approaches, this book explains why Paris still retains its position as the world's undisputed fashion capital.
Gabrielle 'Coco' Chanel was one of the most influential and ground-breaking fashion designers of the twentieth century. This beautifully illustrated biography tells her remarkable story in a unique and accessible way, examining how the homes and landscapes of her life relate to her work. From her childhood at the convent at Aubazine to her boutique and apartment on Rue Cambon in Paris and her villa, La Pausa, on the French Riveria, Chanel's style was inspired and influenced by her environment. Emerging at a time that allowed women to be more independent, she designed clothes that let them be free. As she found fame, love and success, she used the memories of her past, and the way that she lived, to forge her own independence. Featuring designs, drawings, archive imagery and contemporary photography, Living with Coco Chanel provides a fascinating insight into Chanel's life, work and legacy.
Diamond jewelry has long been symbolic of political power and authority in Europe. This book focuses on the individuals who commissioned and wore extraordinarily precious diamond ornaments from the mid-14th century until the `democratization' of diamonds that followed the opening of mines in South Africa in 1867.
This enthralling story covers seven centuries of history, showing the way in which rulers such as Charles V of France, Queen Elizabeth I of Great Britain, Louis XIV of France and Catherine II of Russia used diamond jewelry to reinforce their power and authority. As works of art, these precious creations mirror the successive styles of each period - late Gothic naturalism, the culture of the Renaissance, Baroque splendour, Rococo elegance and the Imperial grandeur of the First and Second Napoleonic Empires. The recurring themes - religion, sentiment, heraldry, military glory, miniatures and cameo portraiture - are reinterpreted by each generation of jewelers. Like royal dress, diamond jewelry was worn to dazzle and impress - at weddings, coronations, christenings and state visits - and was presented as gifts reflecting princely generosity. Over the centuries, these displays proved remarkably successful as instruments of government, symbolizing the pride and glory of a nation.
Arranged chronologically, Diamond Jewelry includes some legendary masterpieces of diamond jewelry. Written by an acknowledged expert, it offers an intriguing overview of one of the world's most precious gems.
Scale the earth's most inspiring mountains through photographs culled from the Magnum archives by some of the world's most celebrated photographers. Magnum Photos is arguably the most celebrated photographic cooperative ever created and these images represent the world's most iconic photographers capturing the world's most breathtaking peaks. Robert Capa portrays the glamour of skiing the Austrian Alps circa 1950; Chris Steele-Perkins offers a hallucinogenic view of Mt. Fuji; Steve McCurry shows us life and war in the shadow of Afghanistan's Hindu Kush; Harry Gruyaert captures childhood in the Moroccan High Atlas; and Martin Parr contemplates Machu Picchu's mysterious granite peaks. Unique views, dramatic lighting, and superb composition make this volume a master class in photography. From breathtaking heights and majestic ridge lines to panoramic landscapes and dramatic terrains - these pictures illustrate everything there is to love, fear, and respect about the world's mountains. AUTHORS: Nathalie Herschdorfer is a curator and art historian specialising in the history of photography. She is currently Director of the Museum of Fine Arts, Le Locle, Switzerland. 180 colour illustrations, 50 b/w illustrations
A truly charming collection of more than 100 canine close-ups, profiles and full-body shots, together with a comedic narrative about each dog.
As a National Geographic photographer, Vince Musi travelled the world to photograph lions, tigers and bears. All that changed when his son turned sixteen – he decided to try something different; to spend some quality time at home and open a hometown studio to photograph dogs.
From a farting bulldog to an opera-loving labrador, Musi chronicles the personalities of everyday dogs in words and photographs. His stunning portraits are matched with witty ‘dogographies’ and a comic blend of Vince’s own personal stories – from girl-next-door crushes to professional failures – from his wildly popular Instagram feed.
Now, for the first time, The Year of the Dogs brings together this eccentric cast of characters in one volume, doggone guaranteed to put a smile on the face of anyone who loves animals.
Harold Freedman was an artist of enormous drive, ambition and achievement. He was never content to mark time, always ready to turn his hand to new challenges and he left his mark on the nation in many places.
Harold worked as a fine artist, an illustrator, printmaker, designer and muralist, all the while drawing on a deep well of traditional training and a determination to bring art and the creative spirit to the widest possible audience. He was a democrat at heart, seeing art as being for the people, the man and the woman in the street who had the right to live in a community where they could see and experience art on a daily basis.
While best known for his series of painted and mosaic murals, the largest ever created in Australia, he was also an influential teacher, an official wart artist and book designer.
Drawing was central to Cezanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cezanne's uvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cezanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.