A collection of stories and essays by the award-winning author of Dark Emu, showcasing his shimmering genius across a lifetime of work.
This volume of Bruce Pascoe's best and most celebrated stories and essays, collected here for the first time, traverses his long career and explores his enduring fascination with Australia's landscape, culture and history.
Featuring new fiction alongside Pascoe's most revered and thought-provoking nonfiction - including from his modern classic Dark Emu - Salt distils the intellect, passion and virtuosity of his work. It's time all Australians know the range and depth of this most marvellous of our writers.
When I hear parents say 'I want my children to enjoy their childhood; there'll be time when they're older to learn about those things', I hear the voices of those who are scared of the vastness of the universe. These adults have a view of childhood as some kind of discrete interval, rather than just a few years from the continuum of life. How fortunate that the spirit, courage and curiosity of many young people remain largely undefeated by such adults.
John Marsden has spent his adult life engaging with young minds - through both his award-winning, internationally bestselling young adult fiction and his work as one of Australia's most esteemed and experienced educators. As the founder and principal of two schools, John is at the coalface of education and a daily witness to the inevitable and yet still mysterious process of growing up.
Now, in this astonishing, insightful and ambitious manifesto, John pulls together all he has learned from over thirty years' experience working with and writing for young people. He shares his insights into everything - from the role of schools and the importance of education, to problem parents and problem children, and the conundrum of what it means to grow up and be 'happy' in the 21st century.
From the award-winning and bestselling author of the Tomorrow series.
Of unknown date, and surviving in a tenth-century manuscript, Beowulf is the tale of a young Geatish hero and his struggle with three deadly foes, beginning with the dread monster Grendel, who has been devouring warriors in the hall of the Danish King in their sleep. The most important Old English poem, and the first known major poem written in a European vernacular, Beowulf is a unique and compelling mix of sixth-century historical events, Christian commentary, Germanic myth and Anglo-Saxon culture. The poem is presented here in a dual-text format with a new translation by multi-award-winning translator J.G. Nichols.
Though North Korea holds the attention of the world, it is still rare for us to hear North Korean voices, beyond those few who have escaped. Known only by his pen name, the poet and author `Bandi' stands as one of the most distinctive and original dissident writers to emerge from the country, and his work is all the more striking for the fact that he continues to reside in North Korea, writing in secret, with his work smuggled out of the country by supporters and relatives.
The Red Years represents the first collection of Bandi's poetry to be made available in English. As he did in his first work The Accusation, Bandi here gives us a rare glimpse into everyday life and survival in North Korea. Singularly poignant and evocative, The Red Years stands as a testament to the power of the human spirit to endure and resist even the most repressive of regimes.
There's something about opening a new pack of cards. It doesn't matter whether you buy them at a filling station to while away a few hours on the road or if they're a classic deck of Bicycle cards bought specifically for a poker night-they smell the same. There's the same whiff of possibility, of hands to play or chances to take, of bets to win and of fun just waiting to be had.
THE GAMES: There are thousands of games we could have included, but along with some of the most popular, we've also chosen those we think are the most fun, the most challenging, and the most exasperating. Also, much of the beauty of card games is that they vary so much, and we've included plenty of tips for trying something a bit different. Of course, when faced with so many variations and different games, it would be impossible to include them all here; we only hope that you like the ones we have squeezed in. THE SKILLS: Shuffles, cuts, ribbon spreads, fans, flourishes, false cuts, forces, false shuffles, finger lifts, double lifts... they're all here, explained in a simple step-by-step fashion that makes it easy for anyone to pick them up. THE TRICKS: Here we've concentrated on tricks we think are easy and approachable because there are few things more frustrating than trying to do something that's simply out of your league or utterly beyond your physical abilities. Thus, you won't find any magician's glue or funny specialized decks of cards; there are few props, and no fiendishly complex sleights and palms... and there are definitely no cards up anyone's sleeves. We hope the result is a book that you'll be able to come back to again and again, whether it's to brush up on your shuffling or because you want to learn a new game or a new trick for the holidays. If you do that, then this book has served its purpose. Oh, and always remember, it's not the cards in your hand that count, it's how you play them.
Restless Classics presents the Three-Hundredth Anniversary Edition of Robinson Crusoe, the classic Caribbean adventure story and foundational English novel, with new illustrations by Eko and an introduction by Jamaica Kincaid that contextualizes the book for our globalized, postcolonial era.
Three centuries after Daniel Defoe published Robinson Crusoe, this gripping tale of a castaway who spends thirty years on a remote tropical island near Trinidad, encountering cannibals, captives, and mutineers before being ultimately rescued, remains a classic of the adventure genre and is widely considered the first great English novel.
But the book also has much to teach us, in retrospect, about entrenched attitudes of colonizers toward the colonized that still resound today. As celebrated Caribbean writer Jamaica Kincaid writes in her bold new introduction, The vivid, vibrant, subtle, important role of the tale of Robinson Crusoe, with his triumph of individual resilience and ingenuity wrapped up in his European, which is to say white, identity, has played in the long, uninterrupted literature of European conquest of the rest of the world must not be dismissed or ignored or silenced.
The greatest collection of fables ever written, updated for our turbulent times.
A witty, scatological illustrated version of the world's greatest collection of fables, allegedly written by a slave in the 5th century BC. A book for our times: as Gebler notes, Aesop has two subjects - the exercise of power and the experience of the powerless who endure life and all that it inflicts on them. This retelling of the Fables makes them relevant and richly enjoyable. Large and fierce animals kill and butcher weaker creatures; gods play games with the hopes and fears of lesser species, including men and women; and occasionally the weak turn the tables on the strong, exposing their pretensions. This is a stunning new version of a book that was often bowdlerised and used to teach moral lessons to children. Gebler's Aesop is darker and more realistic, and compulsively readable.
In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living, and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore- 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.
'As deft and devastating as a piece of non-fiction writing in miniature as you're ever likely to read ... A collection to be savoured, its urbanity, wisdom and humorous probing best digested at leisure' Daily Telegraph In Facts and Fiction, Michael Holroyd reflects on the eccentricities of the art of writing about others. With characteristic playfulness and guilefulness, he considers the ways in which lives can be written about, with all the subtle differences of design and intention that this entails.
From Rudyard Kipling to forgetfulness, the glories of Mary Norton's Borrowers books to fellow biographers like Richard Holmes and Alexander Masters, Holroyd tackles an eclectic range of topics with wit, warmth and humour. This is a unique insight into the mind of a master.
Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante.
Leopardi was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or 'hodgepodge', as Harold Bloom has called it, in which he put down his original, wide-ranging, radically modern responses to his reading. Published at the turn of the twentieth century, it has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team led by Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham have spent years producing a lively, accurate version. This essential book will change our understanding of 19th century culture.
An original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophiles Alberto Manguel, in a style both charming and erudite, examines how literary characters live with us from childhood on. Throughout the years, they change their identities and emerge from behind their stories to teach us about the complexities of love, loss, and the world itself. Manguel's favorite characters include Jim from Huckleberry Finn, Phoebe from The Catcher in the Rye, Job and Jonah from the Bible, Little Red Riding Hood and Captain Nemo, Hamlet's mother, and Dr. Frankenstein's maligned Monster. Sharing his unique powers as a reader, Manguel encourages us to establish our own literary relationships. An intimate preface and Manguel's own doodles complete this delightful and magical book.
A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children's books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children's literature historian Leonard S. Marcus's insightful, wry commentary about the objects on display.
Now with this book, a collaboration between the University of Minnesota's Kerlan Collection of Children's Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere.
`Mendelsohn takes the classical costumes off figures like Virgil and Sappho, Homer and Horace ... He writes about things so clearly they come to feel like some of the most important things you have ever been told.' Sebastian Barry Over the past three decades, Daniel Mendelsohn's essays and reviews have earned him a reputation as `our most irresistible literary critic' (New York Times). This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates.
There is much to surprise here. Mendelsohn invokes the automatons featured in Homer's epics to help explain the AI films Ex Machina and Her, and perceives how Ted Hughes sought redemption by translating a play of Euripides (the `bad boy of Athens') about a wayward husband whose wife returns from the dead. There are essays on Sappho's sexuality and the feminism of Game of Thrones; on how Virgil's Aeneid prefigures post-World War II history and why we are still obsessed with the Titanic; on Patrick Leigh Fermor's final journey, Karl Ove Knausgaard's autofiction and the plays of Tom Stoppard, Tennessee Williams, and Noel Coward. The collection ends with a poignant account of the author's boyhood correspondence with the historical novelist Mary Renault, which inspired his ambition to become a writer.
In The Bad Boy of Athens, Mendelsohn provokes and dazzles with erudition, emotion and tart wit while his essays dance across eras, cultures and genres. This is a provocative collection which sees today's master of popular criticism using the ancient past to reach into the very heart of modern culture.
How can other people like the books we don't like? What benefit can we get from rereading a work? Can we read better? If so, how? These and many other questions, ranging from the field of writing to that of reading and translation, are given a comprehensive answer in a series of stimulating and challenging literary essays that will be a perfect read for all book explorers and practitioners of the pen.
After delighting us with his novels and many volumes of non-fiction, Tim Parks - who is not only an acclaimed author and a translator, but also a celebrated literary essayist - gives us a book to enjoy, savour and, most importantly, reread.
What is The Tiger Who Came to Tea really about? What has Meg and Mog got to do with Polish embroidery? Why is death in picture books so often represented by being eaten?
Fierce Bad Rabbits takes us on an eye-opening journey on a pea-green boat through the history of picture books. From Edward Lear through to Julia Donaldson, Clare Pollard shines a light on some of our best-loved childhood stories and what they really mean, weaving in tales from her own childhood and her re-readings as a parent. Because the best picture books are far more complex than they seem - and darker too. Monsters can gobble up children and go unnoticed, power is not always used wisely, and the wild things are closer than you think. Sparkling with wit, magic and nostalgia, Fierce Bad Rabbits will make you see even stories you've read a hundred times afresh.
The founding father of modern Russian literature, Alexander Pushkin has exerted - through his novel in verse Eugene Onegin, his plays, his short stories and his narrative poetry - a long-lasting influence well beyond the borders of his motherland. A slightly lesser-known, but by no mean less important aspect of his writing is his vast production of shorter verse, a genre at which he excelled and arguably still remains unsurpassed.
This volume, part of Alma's series of the complete poetic works of Alexander Pushkin, collects the poems Pushkin wrote during his exile in Mikhaylovskoe and his subsequent return to St Petersburg, at a time when he was working on Eugene Onegin and many others of his most celebrated works, and includes some of his lyrical masterpieces, such as `To -' - arguably the most famous love poem in the Russian language - `A Flower', `St Petersburg' and `My Autograph', each presented in a verse translation opposite the original Russian text. Enriched with notes, pictures and an appendix on Pushkin's life and works, this will be essential reading for anyone wishing to delve deeper into the Russian bard's genius.
What was it exactly? Wonder, rapture delight, surprised recognition, laughter - but also darker feelings that made my heart beat fast and my stomach turn over, and sometimes a frantic urge to close the book before whatever it was sucked me in and destroyed me. But always, I read on.
In Storytime, author and literary critic Jane Sullivan takes us from Wonderland to Narnia, Moomintroll to Mr Toad and from Winnie the Pooh to the Magic Pudding, to find out why her favourite childhood books were so vitally important, and how they shaped the woman she is today.
This intimate, intense and emotional adventure down memory lane is much, much more than nostalgia. It is a surprising and sometimes disturbing voyage of self-discovery. As Jane relives old joys and faces old fears, she discovers that the books were not what she thought they were, and she was not the child she thought she was.
A biography of a much misunderstood punctuation mark and a call to arms in favour of clear expression and against stifling grammar rules Cecelia Watson used to be obsessive about grammar rules. But then she began teaching. And that was when she realized that strict rules aren't always the best way of teaching people how to make words say what they want them to; that they are even, sometimes, best ignored.
One punctuation mark encapsulates this thorny issue more clearly than any other. The semicolon. Hated by Stephen King, Hemingway, Vonnegut and Orwell, and loved by Herman Melville, Henry James and Rebecca Solnit, it is the most divisive punctuation mark in the English language, and many are too scared to go near it. But why? When is it effective? Have we been misusing it? Should we even care?
In this warm, funny, enlightening and thoroughly original book, Cecelia Watson takes us on a whistle-stop tour of the surprising history of the semicolon and explores the remarkable power it can wield, if only we would stop being afraid of it.
Forget the rules; you're in charge. It's time to make language do what you want it to.
'I find it impossible to imagine anyone better read than White ... Wisdom and a certain kind of tenderness are to be found on every page' Observer Edmund White made his name as a writer, but he remembers his life through the books he read. For White, each momentous occasion came with books to match: Proust's Remembrance of Things Past, which opened up the seemingly closed world of homosexuality; the Ezra Pound poems adored by a lover he followed to New York; the biography of Stephen Crane that inspired one of White's novels.
White's larger-than-life presence on the literary scene lends itself to fascinating, intimate insights into the lives of some of the world's best-loved cultural figures. Blending memoir and literary criticism, The Unpunished Vice is a sensitive, smart account of a life in literature.
Essential collection of Oscar Wilde's best plays: Lady Windermere's Fan, A Woman of No Importance, The Importance of Being Earnest, Salome and an Ideal Husband.
Between 1892 and 1895, Oscar Wilde's drawing-room comedies Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband and The Importance of Being Earnest made his name as a playwright who fearlessly mocked the hypocrisy and snobbery of Victorian society and took gleeful delight in appearing to trivialize its most sacred institutions. With its premiere on Valentine's Day 1895, The Importance of Being Earnest - a hilarious comedy of mistaken identities and coruscating language - was a phenomenal success, but its run was cut short prematurely by Wilde's court case and subsequent incarceration, and the play was not published until 1899, after Wilde had been released from prison.
Also including the powerful Salome, originally written in French and banned by the British censor, this collection displays Wilde at his provocative and witty best, and demonstrates why he was a playwright who delighted audiences and infuriated critics in equal measure.