Jane Jelley is a painter of still life and landscape who became interested in the unusual technical qualities of Vermeer's painting, and in the arguments about whether or not he might have used a camera obscura in his work. She decided to make some experiments in her own studio to transfer images from projections directly to a canvas. Using historical painting treatises and authentic materials, she found a reliable solution that corresponds to the scientific examination of Vermeer's work which provides answers to some of the puzzles he left behind. Her study was published in the journal Art and Perception Volume 1, issue 1-2, 2013. Jane lives and works in Oxford.
Jane Jelley adds a unique perspective on Vermeer's techniques and style. * Johan Wagemans, University of Leuven * Featuring wonderful illustrations, engaging prose, and a deep knowledge of the craft, this is a study in art history and methodology to delight an audience beyond just visual artists. * Kirkus, Starred Review * An absolute delight. A rich and highly original exploration of Vermeer's life and work seen through the eyes of a practising painter. * Professor Sir Barry Cunliffe *