The Social History of Roman Art

Peter Stewart (Courtauld Institute of Art, London)

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English

Cambridge University Press
17 July 2008

History of art: ancient & classical art; History; Social & cultural history

Series: Key Themes in Ancient History

The character of Roman art history has changed in recent years. More than ever before, it is concerned with the role of art in ancient society, including the functions that it served and the values and assumptions that it reflects. At the same time, images have become centrally important to the study of ancient history in general. This book offers a, critical introduction to Roman art against the background of these developments. Focusing on selected examples and themes, it sets the images in context, explains how they have been interpreted, and explodes some of the modern myths that surround them. It also explores some of the problems and contradictions that we face when we try to deal with ancient art in this manner. From wall-paintings to statues, from coins to the gravestones, this is a lucid and often provocative appraisal of the world of Roman images.

By: Peter Stewart (Courtauld Institute of Art London)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 230mm, Width: 150mm, Spine: 12mm
Weight: 350g
ISBN: 9780521016599
ISBN 10: 0521016592
Series: Key Themes in Ancient History
Pages: 216
Publication Date: 17 July 2008
Audience: College/higher education , General/trade , Professional and scholarly , Primary , ELT Advanced
Format: Paperback
Publisher's Status: Active

Introduction; 1. Who made Roman art?; 2. Identity and status; 3. Portraits in society; 4. The power of images; 5. Art of the empire.

PETER STEWART is Senior Lecturer in Classical Art and its Heritage at the Courtauld Institute of Art, London. His previous publications include Statues in Roman Society: Representation and Response (2003) and Roman Art (2004).

Reviews for The Social History of Roman Art

'… the author's stated aim is 'to explain something of what Roman art was intended to do, how it functioned, and how … it was perceived.' Peter Stewart succeeds admirably in his stated objective … this book provides a brilliantly incisive account of Roman art and is thoroughly recommended.' Minerva