The Origins of Theater in Ancient Greece and Beyond examines the evidence for the pre-history and origin of drama. The belief that drama developed from religious ritual has been commonplace since the time of Aristotle but there is little agreement on just how this happened. Recently, scholars have even challenged the historical connection between drama and ritual. This volume is the most thorough examination on the origins of Greek drama to date. It brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theater history, philosophy, and religion. Though it primarily focuses up on ancient Greece, the volume includes comparative studies of ritual drama from ancient Egypt, Japan, and medieval Europe. Collectively, the essays show how the relationship of drama to ritual is one of the most controversial, complex, and multi-faceted questions of modern times.
Edited by:
Eric Csapo (University of Toronto),
Margaret C. Miller (University of Toronto)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions:
Height: 262mm,
Width: 186mm,
Spine: 29mm
Weight: 1.138kg
ISBN: 9780521836821
ISBN 10: 0521836824
Pages: 462
Publication Date: 15 January 2007
Audience:
Professional and scholarly
,
Undergraduate
Format: Hardback
Publisher's Status: Active
1. General introduction E. Csapo and M. C. Miller; Part I. Komasts and Pre-Dramatic Ritual: 2. Introduction T. H. Carpenter; 3. The corpus of Komast vases: from identity to exegesis T. J. Smith; 4. Komasts, mythical imaginary and ritual C. Isler-Kerenyi; 5. Let's hear it for the fat man: padded dancers and the prehistory of drama J. R. Green; 6. Discussion T. H. Carpenter; Part II. Emergence of Drama: 7. Introduction and discussion G. Nagy; 8. From hymn to tragedy: Aristotle's genealogy of poetic kinds D. Depew; 9. Myths of ritual in Athenian vase-paintings of Silens G. Hedreen; 10. From ritual to narrative M. Steinhart; 11. 'And now all the world shall dance!' (Eur. Bacch. 114): Dionysus' choroi between drama and ritual B. Kowlazig; Part III. Comparing Other Cultures: 12. Introduction K. C. Patton; 13. Ritual drama in an ancient Egypt R. J. Leprohon; 14. Ritual and performance, dance and drama in ancient Japan G. Zobel; 15. Representation in European devotional rituals: the question of the origin of medieval drama in medieval liturgy N. H. Petersen; 16. Discussion K. C. Patton; Part IV. From Ritual to Drama: 17. From ritual to drama: a concluding statement R. Seaford.
Eric Csapo is Professor of Classics at the University of Sydney. He is an expert on the history of the ancient theatre and co-author of The Context of Ancient Drama. His most recent book is Theories of Mythology. Margaret C. Miller is Arthur and Renee George Professor of Classical Archaeology at the University of Sydney. She is an expert in Greek archaeology, iconography, and cultural history. Her book, Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity won the Prix Ghirshman of the Academie des inscriptions et Belles-Lettres in 2001.
Reviews for The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama
'Jane Harrison and the Cambridge Ritualists, early in the twentieth century, fixed firmly in our minds the view that drama developed out of religious ritual. But how did this happen? And is the view unassailable? This important book, consisting of seventeen essays that grew out of a colloquium, is the most thorough and wide-ranging attempt for surprisingly many years to address these and related questions.' Robin Waterfield, Heythrop Journal
