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The Mind in the Cave: Consciousness and the Origins of Art
— —
David J. Lewis-Williams
The Mind in the Cave: Consciousness and the Origins of Art by David J. Lewis-Williams at Abbey's Bookshop,

The Mind in the Cave: Consciousness and the Origins of Art

David J. Lewis-Williams


Group 2

Theory of art;


320 pages

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What does the breathtakingly beautiful art depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, seemingly from nowhere into the human story?

The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. This is a masterful piece of detective work, casting light on the darkest mysteries of our earliest ancestors and on the nature of our own consciousness and experience.

By:   David J. Lewis-Williams
Imprint:   Group 2
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm,  Spine: 31mm
Weight:   540g
ISBN:   9780500284650
ISBN 10:   0500284652
Pages:   320
Publication Date:   May 2004
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Preface; Three Time-Bytes; 1. Discovering Human Antiquity; 2 Seeking Answers; 3. Creative Illusion; 4. The Matter of the Mind; 5. Case Study 1: Southern African San Rock Art; 6. Case Study 2: North American Rock Art; 7. An Origin of Image-Making; 8. The Cave in the Mind; 9. Cave and Community; 10. Cave and Conflict

David Lewis-Williams is Professor Emeritus and Senior Mentor in the Rock Art Research Institute, University of Witwatersrand, Johannesburg. His other books include Believing and Seeing: Symbolic Meanings in the Southern San Rock Paintings and, with Jean Clottes, The Shamans of Prehistory: Trance and Magic in the Painted Caves.

The cave art of Europe and the Americas has fascinated and intrigued anthropologists and art lovers for decades. Since the discovery of Upper Palaeolithic art in the mid-nineteenth century, the ochre figure of the running bison has become a symbol for the human race in transition: the first step out of Neanderthal darkness and the first sign of the modern mind at work. The Mind in the Cave explores the beginnings of a consciousness capable of representational imagery and investigates the societies and environmental conditions which produced it. Drawing on disciplines as diverse as biology, religion, psychology and Marxism, Lewis-Williams presents comprehensive and fascinating arguments for the development of primitive societies from their art and social structure to their agriculture and mythology. This is a lovingly researched, carefully organised and brilliantly argued work, full of unusual detail and convincing explanation. A classic in the fields of art and anthropology. (Kirkus UK)

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