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The Methodologies of Art

An Introduction

Laurie Schneider Adams

$284

Hardback

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English
Routledge
07 June 2019
Since the nineteenth century, when art history became an established academic discipline, works of art have been 'read' in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here (formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender) reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.

By:  
Imprint:   Routledge
Country of Publication:   United Kingdom
Edition:   2nd edition
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   453g
ISBN:   9780367097240
ISBN 10:   0367097249
Pages:   312
Publication Date:  
Audience:   College/higher education ,  General/trade ,  Primary ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active
Contents * 1. What Is Art? * 2. Formalism and Style * 3. Iconography * 4. Contextual Approaches I: Marxism, Orientalism, Colonialism, and Racial Iconography * 5. Contextual Approaches II: Feminism and Gender * 6. Biography and Autobiography * 7. Semiotics I: Structuralism and Post-Structuralism * 8. Semiotics II: Deconstruction * 9. Psychoanalysis I: Freud * 10. Psychoanalysis II: Winnicott and Lacan * 11. Aesthetics and Psychoanalysis: Roger Fry and Roland Barthes

Laurie Schneider Adams

Reviews for The Methodologies of Art: An Introduction

Right now when art historians, much concerned with theory, are rethinking the political implications of their research, there is no more useful, better-natured introduction to these pressing concerns than Laurie Schneider Adams's now classic volume. Effortlessly erudite, determinedly generous, her book provides a lucid introduction to formalism, iconography, Marxism, feminism, psychoanalysis, and structuralism and post-structuralism with new sections on race, gender, orientalism, and colonialism. Her fast-moving, well-balanced commentary provides an ideal introduction to what will, inevitably, be a productive ongoing debate. David Carrier, Case Western Reserve University, Cleveland Institute of Art A teacher's dreamA far-ranging, generously sympathetic, well-illustrated, and very clear survey of contemporary concerns with theoryAdams's clear, accurate introduction will be a godsend. Art Journal Good, clear introduction for students who don't know their Derridas from their derrieres. ARLIS News Sheet Right now when art historians, much concerned with theory, are rethinking the political implications of their research, there is no more useful, better-natured introduction to these pressing concerns than Laurie Schneider Adams's now classic volume. Effortlessly erudite, determinedly generous, her book provides a lucid introduction to formalism, iconography, Marxism, feminism, psychoanalysis, and structuralism and post-structuralism with new sections on race, gender, orientalism, and colonialism. Her fast-moving, well-balanced commentary provides an ideal introduction to what will, inevitably, be a productive ongoing debate. --David Carrier, Case Western Reserve University, Cleveland Institute of Art A teacher's dream...A far-ranging, generously sympathetic, well-illustrated, and very clear survey of contemporary concerns with theory...Adams's clear, accurate introduction will be a godsend. --Art Journal Good, clear introduction for students who don't know their Derridas from their derrieres. --ARLIS News Sheet


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