Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Mark Lamster is an architectural historian and critic and the author of two works of nonfiction, Spalding's World Tour and Master of Shadows. For more than a decade, he served as a senior editor at Princeton Architectural Press. He is a contributing editor to Design Observer, the pre-eminent design space for design space and criticism on the Internet, and a frequent contributor to the Los Angeles Times and the design publications Architect, Dwell, Metropolis, and Print, among others. His writing has also appeared in The New York Times, the Wall Street Journal, the Huffington Post, Mediaite, and Slate. He lives in Dallas, TX, where he is the architectural critic for the Dallas Morning News
[A] thoroughly researched and highly readable volume that vividly captures the essence of a complex and disturbing character. --Architectural Record The perfect addition to the aesthete's bookshelf... essential --The Globe and Mail [a] brisk, clear-eyed new biography... Johnson emerges in Lamster's treatment as a person of utter consistency, determined in every instance to strip architecture of social purpose. --the New Yorker One of the Best Books of the Year - Smithsonian Magazine Smoothly written and fair-minded... [a] searching and thorough overview of Johnson's engrossing life. --Wall Street Journal Lamster's mesmerizing, authoritative, and often-astonishing study grapples with Johnson's legacy in all its ambiguity... Lamster depicts a man by turns enchanting and irritating, sublime and subpar, pioneering and derivative... Johnson's contradictions, Lamster argues, reveal something of the nation's. Readers may come away with both contempt and admiration, a testament to Lamster's masterful achievement. --Booklist (starred review) An astute... look at the influential modernist architect. Offering a fresh look at his subject's less-than-savory aspects, Lamster portrays a diffident genius for whom being boring was the greatest crime. --Kirkus (starred review) Philip Johnson was as complicated and contradictory as the American century that created him and which he helped define. Modernist, reactionary, anti-Semite, populist, artist, and commercial powerhouse, he lived, in some sense, to contradict himself. In Mark Lamster's nuanced telling, Johnson becomes more than the man in the round glasses or the avatar of modernism; he becomes a symbol of America itself. This is biography as history, and it is a magnificent piece of work. --David L. Ulin, author of Sidewalking: Coming to Terms with Los Angeles Philip Johnson led many lives--as curator, aspiring demagogue with a Third Reich fixation, modernist architect, winking post-modernist, and finally kingmaker in the profession--and Mark Lamster has masterfully woven them together in a biography that is as much literary as critical achievement. Required reading for anyone hoping to make sense of the American century, for Johnson was its house architect. --Christopher Hawthorne, Chief Design Officer for the city of Los Angeles and former architecture critic, Los Angeles Times The Man in the Glass House captures the essence of a prodigious, multivalent, enigmatic American talent with authority and aplomb. It's a biography with attitude, a bullet train through the shifting landscapes of twentieth-century America, and a sheer pleasure to read. --Tom Vanderbilt, author of Traffic: Why We Drive The Way We Do Mark Lamster thoughtfully teases out the real history of this modernist icon, from his impressive sexual appetites and more-than-flirtation with fascism in Hitler's Germany to his 1990s collaboration with Donald Trump. It's clear that Johnson was a fascinating and disturbing figure; Lamster's biography, impressively and honestly, displays him with his full complexity. --Ruth Franklin, author of Shirley Jackson: A Rather Haunted Life The Man in the Glass House is a vivid, thoughtful, illuminating, disturbing, and definitive chronicle of one of twentieth-century architecture's most celebrated and powerful figures. --Kurt Andersen, author and host of Studio 360 More than a dozen years after his death Philip Johnson remains a perplexing, polarizing, magnetic and frustrating figure: although he was far from our greatest architect, no one did more to shape our architectural culture. In this compelling biography, Mark Lamster deconstructs Johnson's complex persona, evaluates his work and begins the complex process of establishing his place in history. --Paul Goldberger, Pulitzer Prize-winning critic and author of Building Art: The Life and Work of Frank Gehry