The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity

— —

Guy Hedreen (Williams College, Massachusetts)

The Image of the Artist in Archaic and Classical Greece

Art, Poetry, and Subjectivity

Guy Hedreen (Williams College, Massachusetts)

$49.95

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Cambridge University Press
30 August 2018

Art & Architecture; Theory of art; History of art: ancient & classical art; Ceramic arts, pottery, glass; Human figures depicted in art

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, and sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.

By: Guy Hedreen (Williams College Massachusetts)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 256mm, Width: 180mm, Spine: 25mm
Weight: 800g
ISBN: 9781107543393
ISBN 10: 1107543398
Pages: 394
Publication Date: 30 August 2018
Audience: Professional and scholarly , College/higher education , Undergraduate , Primary
Format: Paperback
Publisher's Status: Active

Introduction: 'I am Odysseus'; 1. Smikros and Euphronios: pictorial alter ego; 2. Archilochos, the fictional creator-protagonist, and Odysseus; 3. Hipponax and his make-believe artists; 4. Hephaistos in epic: analog of Odysseus and antithesis to Thersites; 5. Pictorial subjectivity and the Shield of Achilles on the François vase; 6. Frontality, self-reference, and social hierarchy: three Archaic vase-paintings; 7. Writing and invention in the vase-painting of Euphronios and his circle; Epilogue: persuasion, deception, and artistry on a red-figure cup.

Guy Hedreen is Professor of Art at Williams College, Massachusetts. He is author of Silens in Attic Black-Figure Vase-Painting: Myth and Performance (1992) and Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (2001). He has also published essays on Dionysiac myth and ritual, choral poetry, drama, the Trojan War, primitive life, the worship of Achilles, and the nature of visual narration. His awards include the Rome Prize, a Guggenheim Fellowship, and the Arlt Award for his first book.